| Best Breakthrough Talent | Best Director: Multi-Camera |
- Aisling Bea (writer) – This Way Up (Channel 4)
- Sean Buckley (writer) – Responsible Child (BBC Two)
- Aneil Karia (director) – Pure (ep. 3) (Netflix)
- Laurie Nunn (writer) – Sex Education (Netflix)
| - Janet Fraser Crook – Glastonbury 2019 (BBC One)
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| Best Director: Fiction | Best Director: Factual |
- Johan Renck – Chernobyl (Sky Atlantic)
- Harry Bradbeer – Fleabag (BBC Three)
- Toby Haynes – Brexit: The Uncivil War (Channel 4)
- Shane Meadows – The Virtues (Channel 4)
| - Anthur Cary – The Last Survivors (BBC Two)
- Robin Barnwell – Undercover: Inside China's Digital Gulag (ITV)
- Mark Lewis – Don't F**k With Cats: Hunting an Internet Killer (Netflix)
- Dan Reed – Leaving Neverland (Channel 4)
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| Best Writer: Drama | Best Writer: Comedy |
- Jesse Armstrong – Succession (Sky Atlantic)
| |
| Best Editing: Fiction | Best Editing: Factual |
- Jinx Godfrey and Simon Smith – Chernobyl (Sky Atlantic)
| - Michael Harte – Don’t F**k With Cats: Hunting an Internet Killer (Netflix)
- Andy R. Worboys – Untouchable: The Rise and Fall of Harvey Weinstein (BBC Two)
- Jules Cornell – Leaving Neverland (Channel 4)
- Kim Horton – 63 up (ITV)
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| Best Costume Design | Best Make Up and Hair Design |
| | - Loz Schiavo – Peaky Blinders (BBC One)
- Inma Azorin – The Trial of Christine Keeler (BBC One)
- Kirstin Chalmers – Catherine the Great (Sky Atlantic)
- Barrie Gower and Daniel Parker – Chernobyl (Sky Atlantic)
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| Best Production Design | Best Original Music |
- Luke Hull and Claire Levinson-Gendler – Chernobyl (Sky Atlantic)
- Martin Childs and Alison Harvey – The Crown (Netflix)
- Laurence Dorman and Linda Wilson – Killing Eve (BBC One)
- Samantha Harley and Miri Katz – Sex Education (Netflix)
| |
| Best Photography: Fiction | Best Photography: Factual |
- Jakob Ihre – Chernobyl (Sky Atlantic)
- Joe Anderson – Top Boy (Netflix)
- Adriano Goldman – The Crown (Netflix)
- Suzie Lavelle – His Dark Materials (BBC One)
| - Howard Bourne, Bertie Gregory and John Shier – Seven Worlds, One Planet (BBC One)
- Doug Anderson, Roger Horrocks and Gavin Thurston – Our Planet (Coastal Seas) (Netflix)
- Barrie Britton, Jamie McPherson and Hector Skevington-Postles – Our Planet (Frozen Worlds) (Netflix)
- Neil Harvey and Patrick Smith – Untouchable: The Rise and Fall of Harvey Weinstein (BBC Two)
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| Best Titles and Graphic Identity | Best Special, Visual and Graphic Effects |
- Elastic and Painting Practice – His Dark Materials (BBC One)
- Alex Maclean – The Durrells (ITV)
- Elastic – Catherine the Great (Sky Atlantic)
- Light Creative – Ghosts (BBC One)
| - Russel Dogson, Framestore, Painting Practice and Real SFX – His Dark Materials (BBC One)
- DNEG, Lindsay McFarlande, Claudius Christian Rauch and Jean-Clement Soret – Chernobyl (Sky Atlantic)
- Milk Visual Effects, Real SFX and Gareth Spensley – Good Omens (BBC Two)
- Chris Reynolds, Asa Shoul and Ben Turner – The Crown (Netflix)
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| Best Sound: Fiction | Best Sound: Factual |
- Sound Team – Chernobyl (Sky Atlantic)
- Dillon Bennett, Gareth Bull, James Ridgeway and Jon Thomas – His Dark Materials (BBC One)
- Fraser Barber, Stuart Hilliker, Lee Walpole and Ian Wilkinson – A Christmas Carol (BBC One)
- Sound Team – The Crown (Netflix)
| - Sound Team – Battle of the Brass Bands (Sky Arts)
- Nick Adams, James Evans, Nick Fry and Steve Speed – Formula 1: Drive to Survive (Netflix)
- Kate Hopkins and Graham Wild – Seven Worlds, One Planet (BBC One)
- Kate Hopkins, Tim Owens and Graham Wild – Our Planet (One Planet) (Netflix)
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| Best Entertainment Craft Team | Best Scripted Casting |
| | - Des Hamilton – Top Boy (Netflix)
- Lauren Evans – Sex Education (Netflix)
- Nina Gold and Robert Sterne – Chernobyl (Sky Atlantic)
- Yoko Narahashi – Giri/Haji (BBC Two)
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