| Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action | Outstanding Achievement in Sound Mixing for a Motion Picture – Animated |
- Dunkirk – Production Mixer – Mark Weingarten, CAS; Re-recording Mixer – Gregg Landaker; Re-recording Mixer – Gary Rizzo, CAS; Scoring Mixer – Alan Meyerson, CAS; ADR Mixer – Thomas J. O’Connell; Foley Mixer – Scott Curtis
- Baby Driver – Production Mixer – Mary H. Ellis, CAS; Re-recording Mixer – Julian Slater, CAS; Re-recording Mixer – Tim Cavagin; Scoring Mixer – Gareth Cousins, CAS; ADR Mixer – Mark Appleby; Foley Mixer – Glen Gathard
- The Shape of Water – Production Mixer – Glen Gauthier; Re-recording Mixer – Christian T. Cooke, CAS; Re-recording Mixer – Brad Zoern, CAS; Scoring Mixer – Peter Cobbin; ADR Mixer – Chris Navarro, CAS; Foley Mixer – Peter Persaud, CAS
- Star Wars: The Last Jedi – Production Mixer – Stuart Wilson, CAS; Re-recording Mixer – David Parker; Re-recording Mixer – Michael Semanick; Re-recording Mixer – Ren Klyce; Scoring Mixer – Shawn Murphy; ADR Mixer – Doc Kane, CAS; Foley Mixer – Frank Rinella
- Wonder Woman – Production Mixer – Chris Munro, CAS; Re-recording Mixer – Chris Burdon; Re-recording Mixer – Gilbert Lake, CAS; Scoring Mixer – Alan Meyerson, CAS; ADR Mixer – Nick Kray; Foley Mixer – Glen Gathard
| - Coco – Original Dialogue Mixer – Vince Caro; Re-recording Mixer – Christopher Boyes; Re-recording Mixer – Michael Semanick; Scoring Mixer – Joel Iwataki; Foley Mixer – Blake Collins
- Cars 3 – Original Dialogue Mixer – Doc Kane, CAS; Re-recording Mixer – Tom Meyers; Re-recording Mixer – Michael Semanick; Re-recording Mixer – Nathan Nance; Scoring Mixer – David Boucher; Foley Mixer – Blake Collins
- Despicable Me 3 – Original Dialogue Mixer – Carlos Sotolongo; Re-recording Mixer – Randy Thom, CAS; Re-recording Mixer – Tim Nielson; Re-recording Mixer – Brandon Proctor; Scoring Mixer – Greg Hayes; Foley Mixer – Scott Curtis
- Ferdinand – Original Dialogue Mixer – Bill Higley, CAS; Re-recording Mixer – Randy Thom, CAS; Re-recording Mixer – Lora Hirschberg; Re-recording Mixer – Leff Lefferts; Scoring Mixer – Shawn Murphy; Foley Mixer – Scott Curtis
- The Lego Batman Movie – Original Dialogue Mixer – Jason Oliver; Re-recording Mixer – Michael Semanick; Re-recording Mixer – Gregg Landaker; Re-recording Mixer – Wayne Pashley; Scoring Mixer – Stephen Lipson; Foley Mixer – Lisa Simpson
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| Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary | Outstanding Achievement in Sound Mixing for a Television Movie or Mini-Series |
- Jane – Production Mixer – Lee Smith; Re-recording Mixer – David E. Fluhr, CAS; Re-recording Mixer – Warren Shaw; Scoring Mixer – Derek Lee; ADR Mixer – Chris Navarro, CAS; Foley Mixer – Ryan Maguire
- An Inconvenient Sequel: Truth to Power – Production Mixer – Gabriel Monts; Re-recording Mixer – Kent Sparling; Re-recording Mixer – Gary Rizzo, CAS; Re-recording Mixer – Zach Martin; Scoring Mixer – Jeff Beal; Foley Mixer – Jason Butler
- Eric Clapton: Life in 12 Bars – Re-recording Mixer – Tim Cavagin; Re-recording Mixer – William Miller; ADR Mixer – Adam Mendez, CAS
- Gaga: Five Foot Two – Re-recording Mixer – Jonathan Wales, CAS; Re-recording Mixer – Jason Dotts
- Long Strange Trip – Production Mixer – David Silberberg; Re-recording Mixer – Bob Chefalas; Re-recording Mixer – Jacob Ribicoff
| - Black Mirror: USS Callister – Production Mixer – John Rodda, CAS; Re-recording Mixer – Tim Cavagin; Re-recording Mixer – Dafydd Archard; Re-recording Mixer – Will Miller; ADR Mixer – Nick Baldock; Foley Mixer – Sophia Hardman
- Big Little Lies – "You Get What You Need" – Production Mixer – Brendan Beebe, CAS; Re-recording Mixer – Gavin Fernandes, CAS; Re-recording Mixer – Louis Gignac
- Fargo – "The Narrow Escape Problem" – Production Mixer – Michael Playfair, CAS; Re-recording Mixer – Kirk Lynds, CAS; Re-recording Mixer – Martin Lee; Scoring Mixer – Michael Perfitt
- Sherlock: The Lying Detective – Production Mixer –John Mooney, CAS; Re-recording Mixer – Howard Bargroff; Scoring Mixer – Nick Wollage; ADR Mixer – Peter Gleaves, CAS; Foley Mixer – Jamie Talbutt
- Twin Peaks – "Part 8" – Production Mixer – Douglas Axtell; Re-recording Mixer – Dean Hurley; Re-recording Mixer – Ron Eng
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| Outstanding Achievement in Sound Mixing for Television Series – One Hour | Outstanding Achievement in Sound Mixing for Television Series – Half Hour |
- Game of Thrones – "Beyond the Wall" – Production Mixer – Ronan Hill, CAS; Production Mixer – Richard Dyer, CAS; Re-recording Mixer – Onnalee Blank, CAS; Re-recording Mixer – Mathew Waters, CAS; Foley Mixer – Brett Voss, CAS
- Better Call Saul – "Lantern" – Production Mixer – Phillip W. Palmer, CAS; Re-recording Mixer – Larry B. Benjamin, CAS; Re-recording Mixer – Kevin Valentine; ADR Mixer – Matt Hovland; Foley Mixer – David Michael Torres, CAS
- The Crown – "Misadventure" – Production Mixer – Chris Ashworth; Re-recording Mixer – Lee Walpole; Re-recording Mixer – Stuart Hilliker; Re-recording Mixer – Martin Jensen; ADR Mixer – Rory de Carteret; Foley Mixer – Philip Clements
- The Handmaid's Tale – "Offred" – Production Mixer – John J. Thomson, CAS; Re-recording Mixer – Lou Solakofski|; Re-recording Mixer – Joe Morrow; Foley Mixer – Don White
- Stranger Things – "Chapter Eight: The Mind Flayer" – Production Mixer – Michael P. Clark, CAS; Re-recording Mixer – Joe Barnett; Re-recording Mixer – Adam Jenkins; ADR Mixer – Bill Higley, CAS; Foley Mixer – Anthony Zeller, CAS
| - Silicon Valley – "Hooli-Con" – Production Mixer – Benjamin A. Patrick, CAS; Re-recording Mixer – Elmo Ponsdomenech; Re-recording Mixer – Todd Beckett
- Ballers – "Yay Area" – Production Mixer – Scott Harber, CAS; Re-recording Mixer – Richard Weingart, CAS; Re-recording Mixer – Michael Colomby, CAS; Re-recording Mixer – Mitch Dorf
- Black-ish – "Juneteenth, The Musical" – Production Mixer – Tom N. Stasinis, CAS; Re-recording Mixer – Peter J. Nusbaum, CAS; Re-recording Mixer – Whitney Purple
- Modern Family – "Lake Life" – Production Mixer – Stephen A. Tibbo, CAS; Re-recording Mixer – Dean Okrand, CAS; Re-recording Mixer – Brian R. Harman, CAS
- Veep – "Omaha" – Production Mixer – William MacPherson, CAS; Re-recording Mixer – John W. Cook II, CAS; Re-recording Mixer – Bill Freesh, CAS
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| Outstanding Achievement in Sound Mixing for Television Non Fiction, Variety or Music – Series or Specials |
- Rolling Stone: Stories from the Edge – Production Mixer – David Hocs; Production Mixer – Tom Tierney; Re-Recording Mixer – Tom Fleischman, CAS
- American Experience: The Great War – "Part 3" – Production Mixer – John Jenkins; Re-Recording Mixer – Ken Hahn
- Anthony Bourdain: Parts Unknown – "Oman" – Re-Recording Mixer – Benny Mouthon, CAS
- Deadliest Catch – "Last Damn Arctic Storm" – Re-Recording Mixer – John Warrin
- Who Killed Tupac? – "Murder in Vegas" – Production Mixer – Steve Birchmeier; Re-Recording Mixer – John Reese
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