Dresden Altarpiece
Dresden Altarpiece | |
---|---|
Artist | Albrecht Dürer |
Year | 1496-1497 and perhaps 1503-1504 |
Medium | Tempera on canvas |
Location | Gemäldegalerie Alte Meister, Dresden |
The Dresden Altarpiece is a triptych by the German Renaissance artist Albrecht Dürer, executed between 1496 and 1497, and perhaps continued in 1503–1504. It is housed in the Gemäldegalerie Alte Meister of Dresden, Germany.
History
The painting was one of the first commissions received from Frederick III, Elector of Saxony, together with the Seven Sorrows Polyptych and the Portrait of Frederick III of Saxony. Dürer knew the elector during the latter's short stay in Nuremberg in April 1496.
The work was destined to the chapel in the Wittenberg Castle and, initially, should include only the central panel with a Virgin and Child. The use of tempera (in an area where oil painting was already common) was perhaps connected to the need of a quick completion[1]
In 1503–1504, perhaps in the wake of a plague, two side shutters were added: these were painted with St. Sebastian, patron of the infected, and St. Anthony the Abbot, the protector against ergotism. The dating and the attribution of the side panels is disputed.[1]
Description
Differently from most contemporary triptychs, the side shutters could not be closed due to the use of a canvas. The central scene depicts the Madonna Adoring the Child, who sleeps on a cushion over a wide parapet. A book (symbolizing the Holy Texts) lies next to him, together with a pear, an allegory of the original sin. Mary's appearance resembles that in Dieric Bouts' works, as well as those by Squarcione and Mantegna. It is likely that she is a portrait of Dürer's wife, Agnes Frey.[1]
The room behind Mary is rendered in wide angle perspective. It opens on another room, with St. Joseph's workshop, while a city landscape appears from a window. The upper part of the scene is populated by angels: some hold Mary's floating crown, while other are spreading incense from thuribles. The side panels also contain numerous puttoes in the background. Their style difference could indicate the intervention of assistants.[1]
See also
References
- ^ a b c d Costantino Porcu, ed. (2004). Dürer. Milan: Rizzoli.
Sources
- Costantino Porcu, ed. (2004). Dürer. Milan: Rizzoli.
- v
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- List of paintings
- Portrait Diptych of Dürer's Parents (1490)
- Portrait of Frederick III of Saxony (1496)
- St. Jerome in the Wilderness (c. 1496)
- Portrait of Dürer's Father at 70 (1497)
- Haller Madonna/Lot and His Daughters (c. 1498)
- Lamentation of Christ (Nuremberg) (attributed, c. 1498)
- Hercules Killing the Stymphalian Birds (1500)
- Lamentation of Christ (Munich) (c. 1500)
- Adoration of the Magi (1504)
- Bagnacavallo Madonna (before 1505)
- Christ Among the Doctors (1506)
- Portrait of a Young Venetian Woman (1505)
- Avarice (1507)
- Adam and Eve (1507)
- Martyrdom of the Ten Thousand (1508)
- The Suicide of Lucretia (1518)
- Virgin and Child with Saint Anne (1519)
- Portrait of Emperor Maximilian I (1519)
- Portrait of Jakob Fugger (c. 1520)
- Portrait of Bernhart von Reesen (1521)
- Saint Jerome in His Study (1521)
- The Four Apostles (1526)
- Portrait of Hieronymus Holzschuher (1526)
- Portrait of Johann Kleberger (1526)
- Portrait of Jakob Muffel (1526)
- Dresden Altarpiece (c. 1496–1497/1503–1504)
- Seven Sorrows Polyptych (c. 1500)
- Paumgartner Altarpiece (c. 1500)
- Jabach Altarpiece (c. 1503–1504)
- Feast of the Rosary (1506)
- Heller Altarpiece (c. 1508) (with Matthias Grünewald)
- Adoration of the Trinity (1511)
- Self-Portrait at the Age of 13 (drawing, 1484)
- Portrait of the Artist Holding a Thistle (1493)
- Self-Portrait at 26 (1498)
- Self-Portrait at 28 (1500)
engravings
- List of woodcuts, engravings
- The Holy Family with the Dragonfly (1495)
- The Holy Family with Three Hares (1496)
- Apocalypse (1498)
- Saint Michael Fighting the Dragon (1498)
- The Four Witches (1497)
- The Sea Monster (1498–1500)
- Saint Sebastian at the Column (1500)
- Visitation (1503)
- Joachim and Anne Meeting at the Golden Gate (1504)
- Great Passion (1497–1510)
- Life of the Virgin (1510–1511)
- Small Passion (1511)
- Knight, Death and the Devil (1513)
- Melencolia I (1514)
- Saint Jerome in His Study (1514)
- Triumphal Arch (1515)
- Rhinoceros (1515)
- Large Triumphal Carriage (1522)
- Portrait of Erasmus (1526)
watercolours
- Young Hare (1502)
- Great Piece of Turf (1503)
- Madonna of the Animals (c. 1503)
- Praying Hands (c. 1508)
- Wing of a European Roller (1512)
- Portrait of the Artist's Mother at the Age of 63 (1514)
- Head of a Walrus (1514)
- The Virgin and Child with a Flower on a Grassy Bench (c. 1503)
- Alte Pinakothek (Self-Portrait) (2000 photograph)
- Dürer (crater)