Gaud Malhar
| Thaat | Kafi |
|---|---|
| Type | Sampurna |
| Time of day | Any[1] |
| Season | Monsoon[1] |
| Arohana | S R G M R P , M P D N Ṡ[1] |
| Avarohana | Ṡ D N P M G M R S[1] |
| Vadi | M |
| Samavadi | S |
| Hindustani classical music |
|---|
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Gaud Malhar is a raga in Hindustani classical music that combines characteristics of Malhar and the now extinct raga named Gaud.[2][1]
Film songs
| Song | Movie | Composer | Artists |
|---|---|---|---|
| Jhir Jhir Barase Savani Ankhiyan | Aashirwad (film) | Vasant Desai | Lata Mangeshkar |
| Garajat Barsat Bheejata Ailo | Malhar(1951 film) | Roshan (music director) | Lata Mangeshkar |
| Jurm-e-Ulfat Pe | Taj Mahal (1963 film) | Roshan (music director) | Lata Mangeshkar |
| Sharabi, Sharabi Ye Savan Ka Mausam | Noor Jehan (film) | Roshan (music director) | Suman Kalyanpur |
References
- ^ a b c d e Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 68. ISBN 9780954397609.
- ^ "On Gaud Malhar and Miyan Malhar". Rajan Parrikar Music Archive. Retrieved 31 August 2018.
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