Guitar Zero
Guitar Zero: The New Musician and the Science of Learning is a 2012 popular science book by research psychologist Gary Marcus. It documents the author's process of learning the guitar while discussing aspects of music cognition and the role of critical periods in learning a musical ability. The book was released on January 19, 2012 and published by Penguin Books, and in December 2012 was released as a paperback under the title Guitar Zero: The Science of Becoming Musical at Any Age.[citation needed]
Reception
The book reached 24th on the New York Times Best Seller list for hardcover nonfiction during the week of February 19, 2012.[1] Maria Popova on Brainpickings.org named the book among "The Best Music Books of 2012."[2] In a review for The Wall Street Journal, Norman Doidge wrote ""Guitar Zero" is a refreshing alternation between the nitty-gritty details of learning rock-guitar licks and Mr. Marcus's survey of the relevant scientific literature on learning and the brain."[3]
References
- ^ "Best Sellers; Hardcover Nonfiction; Feb 19, 2012". The New York Times. 2012-02-19. Retrieved 2014-04-24.
- ^ Maria Popova (2012-12-21). "The Best Music Books of 2012". Brain Pickings. Retrieved 2014-04-24.
- ^ Norman Doidge (2012-02-01). "Book Review: Guitar Zero". The Wall Street Journal. Retrieved 2014-04-24.
External links
- Official site
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- Biomusicology
- Cognitive musicology
- Cognitive neuroscience of music
- Culture in music cognition
- Evolutionary musicology
- Psychoacoustics
- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music
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