Jacopo Bellini
Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters.[1]
Few of Bellini's paintings still exist, but his surviving sketch-books (one in the British Museum and one in the Louvre) show an interest in landscape and elaborate architectural design and are his most important legacy. His surviving works show how he accommodated linear perspective to the decorative patterns and rich colors of Venetian painting.
Biography
Born in Venice, Jacopo had probably been a pupil of Gentile da Fabriano, who was then in Venice. In 1411–1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello, Masolino da Panicale and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death, and which trained his sons and other artists.
Many of his greatest works, including the enormous Crucifixion in the cathedral of Verona (1436), have disappeared. From c. 1430 is the panel with Madonna and Child, in the Accademia Carrara, once attributed to Gentile da Fabriano. In 1441, at Ferrara, where he was at the service of Leonello d'Este together with Leon Battista Alberti, he executed a portrait of that Marquess, now lost. Of this period survives the Madonna dell'Umiltà, probably commissioned by one of the brothers of Leonello.[2]
The influence from Masolino da Panicale towards more modern, early Renaissance themes is visible in the Madonna with Child (dated 1448) in the Pinacoteca di Brera: for the first time, perspective is present and the figure are more monumental. Later he contributed with works now lost to the Venetian churches of San Giovanni Evangelista (1452) and St. Mark (1466). From 1459 is a Madonna with Blessing Child in the Gallerie dell'Accademia.
Later he sojourned in Padua, where he trained a young Andrea Mantegna in perspective and classicist themes and where, in 1460, he finished a portrait of Erasmo Gattamelata, now lost. Of his late phase, a ruined Crucifix in the Museum of Verona and an Annunciation in the church of Sant'Alessandro of Brescia remain.
Giovanni Fontana showed Bellini a treatise on perspective.[3]
Selected works
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- Madonna and Child Blessing (c.1455), tempera on wood, 94 x 66 cm, Gallerie dell'Accademia, Venice
- Madonna With Child (c. 1465), oil on panel, 69.2 x 46.9 cm, Los Angeles County Museum of Art
References
- ^ Vopi, Caterina. "Mantegna, Andrea", Treccani, 2006
- ^ Chisholm 1911.
- ^ A.C. Sparavigna (2013). "Giovanni de la Fontana, engineer and magician" (PDF). Cornell University Library.
Sources
- C. Eisler, The genius of Jacopo Bellini: the complete paintings and drawings (London, The British Museum Press, 1989)
- Chisholm, Hugh, ed. (1911). "Bellini" . Encyclopædia Britannica. Vol. 3 (11th ed.). Cambridge University Press.
External links
- Italian Paintings, Venetian School, a collection catalog containing information about Bellini and his works (see index; plate 9).
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- St. Jerome in the Desert (Birmingham)
- Madonna and Child (Pavia)
- Transfiguration (Venice)
- Pietà (Bergamo)
- Crucifixion
- Pietà (Milan)
- Agony in the Garden
- Dead Christ Supported by Two Angels
- Presentation at the Temple
- Christ Blessing (Paris)
- Frizzoni Madonna
- Madonna and Child Blessing
- The Blood of the Redeemer
- Madonna and Child (Milan, 1460–1465)
- Greek Madonna
- Nativity Triptych
- Saint Vincent Ferrer Altarpiece
- San Lorenzo Triptych
- San Sebastiano Triptych
- Triptych of the Madonna
- The Head of St John the Baptist
- Dead Christ Supported by Two Angels (Berlin)
- Dead Christ Supported by Angels (Rimini)
- The Dead Christ Supported by the Virgin Mary and St John the Evangelist
- Lehman Madonna
- Pesaro Altarpiece
- Portrait of Georg Fugger
- Lochis Madonna
- Madonna and Child (Verona)
- Enthroned Madonna Adoring the Sleeping Christ Child
- Madonna and Child (Venice, 1475)
- Madonna Adoring the Sleeping Christ Child
- St. Francis in Ecstasy
- Contarini Madonna
- Resurrection of Christ
- Portrait of a Humanist
- Transfiguration of Christ (Naples)
- Willys Madonna
- St. Jerome in the Desert (Florence)
- Saint Jerome Reading in a Landscape
- Alzano Madonna
- Madonna of the Red Cherubim
- Madonna and Child (New York, late 1480s)
- San Giobbe Altarpiece
- Madonna and Child with Saint Peter and Saint Sebastian
- Madonna of the Small Trees
- Barbarigo Altarpiece
- Frari Triptych
- Madonna and Child with Saint Mary Magdalene and Saint Ursula
- Portrait of a Young Man in Red
- Madonna and Child with the Infant St. John the Baptist
- Portrait of a Young Man (Paris)
- Holy Allegory
- Portrait of a Young Senator
- Allegories
- Portrait of a Condottiero
- Annunciation
- Christ Blessing (Fort Worth)
- Circumcision of Christ*
- Lamentation over the Dead Christ (Florence)
- Portrait of a Young Man (Washington)
- Self-Portrait
- Portrait of a Young Man (Liverpool)
- Baptism of Christ
- Head of the Redeemer
- Portrait of Doge Leonardo Loredan
- Madonna and Child with St. John the Baptist and a Female Saint
- Martinengo Pietà
- Portrait of a Young Man (Royal Collection)
- St. Jerome in the Desert (Washington)
- San Zaccaria Altarpiece
- Madonna del Prato
- Portrait of the Loredan Family
- The Infant Bacchus
- Sacred Conversation (Madrid)
- St. Mark Preaching in Alexandria
- The Assassination of Saint Peter Martyr
- Madonna and Child with Four Saints and Donor
- The Continence of Scipio
- Madonna and Child (Detroit)
- Madonna and Child (Rome)
- Madonna and Child (Milan, 1510)
- Virgin in Glory with Saints
- Saints Christopher, Jerome and Louis of Toulouse
- The Feast of the Gods
- Drunkenness of Noah
- Naked Young Woman in Front of a Mirror
- Portrait of Fra Teodoro of Urbino as Saint Dominic
- Deposition
- Martyrdom of Saint Maurice and his Comrades (illuminated manuscript; attributed)
- San Zaccaria, Venice (1995 photograph)
- Venetian Renaissance
- Jacopo Bellini (father)
- Gentile Bellini (brother)
- Andrea Mantegna (brother-in-law)