Juno and Argus
1610 painting by Peter Paul Rubens
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Juno and Argus | |
---|---|
Artist | Peter Paul Rubens |
Year | c 1610 |
Medium | oil on canvas |
Dimensions | 249 cm × 296 cm (98 in × 117 in) |
Location | Wallraf-Richartz Museum, Cologne |
Juno and Argus is a 1610 painting by Peter Paul Rubens, depicting Juno and Argus. It is now in the Wallraf-Richartz Museum (inventory number WRM 1040) in Cologne.
Bibliography
Some of the literature in which this painting is discussed is listed here (most recent first).
- Nico Van Hout, Reconsidering Rubens's Flesh Colour, in: Boletin del Museo del Prado 19, 2001, p. 10
- Götz Pochat und Brigitte Wagber, Kunst/Geschichte zwischen historischer Reflexion und ästhetischer Distanz, Graz, 2000, p. 48, Fig. 5, p. 49
- Ekkehard Mai, Mythologie in Bildern flämischer Meister, in: Kölner Museums-Bulletin 2000/3, p. 39–43, Fig.7
- Robert Floetemeyer, Delacroix' Bild des Menschen. Erkundungen vor dem Hintergrund der Kunst des Rubens, Mainz 1998, pp. 142–144, Figure 40
- Fiona Healy, Rubens and the Judgement of Paris. A question of choice, Brepols 1997, p. 75, Fig. 98, p. 283
- Werner Telesko, Friedrich Schlegel und die Konzeption der Kunst als 'Reliquie der Göttlichen Offenbarung'. Ein Beitrag zur Problemgeschichte des frühen Historismus, in: Kunstjahrbuch der Stadt Linz, 1996/97, p. 18–20, Fig. 5
- Otto von Simson, Peter Paul Rubens (1577–1640), Mainz 1996, p. 137–138, Figure 53
- Michel Blay, Les figures de l'arc-en-ciel, Paris 1995, Figure p. 85
- E. de Jongh, Hoogmoed en pompeusheid in pauwestaarten en pauwetaarten, in: Kunstschrift 4, 1995, p. 31, Fig. 40
- Hans Vlieghe und Ekkehard Mai (Hrsg.), Von Bruegel bis Rubens. Das goldene Jahrhundert der flämischen Malerei, Ausstellungskatalog Köln 1992, p. 348, Figure p. 349, Cat. No. 44.5
- Michael Jaffé, Catalogo completo Rubens, Milano 1989, mit Figure, Cat. No. 142
- Ekkehard Mai, Flämische Malerei von 1550 bis 1650, Wallraf-Richartz-Museum Köln. Bildhefte zur Sammlung Bd. 1, Köln 1987, pp. 32–44, Figure 25
- Wallraf-Richartz-Museum Köln, Von Stefan Lochner bis Paul Cézanne. 120 Meisterwerke der Gemäldesammlung, Köln, Mailand 1986, p. 134, with color reproduction
- Horst Vey und Annamaria Kesting, Katalog der niederländischen Gemälde von 1550 bis 1800 im Wallraf-Richartz-Museum und im öffentlichen Besitz der Stadt Köln (mit Ausnahme des Kölnischen Stadtmuseums), hrsg. v. Gert van der Osten und Horst Keller, Köln 1967, p. 95f., Figure 135
- H. G. Evers, Peter Paul Rubens, München 1942, pp. 116–121, Figure 61
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Peter Paul Rubens
and drawings
- The Descent from the Cross (Siegen; 1600–1602)
- Leda and the Swan (1601, 1602)
- The Deposition (1602)
- Self-Portrait in a Circle of Friends from Mantua (1602–1605)
- Equestrian Portrait of the Duke of Lerma (1603)
- Portrait of a Young Woman (1603)
- Hercules and Omphale (1603)
- Heraclitus and Democritus (1603)
- Virgin and Child (c. 1604)
- The Fall of Phaeton (c. 1604/1605)
- The Baptism of Christ (1604–1605)
- The Gonzaga Family in Adoration of the Holy Trinity (1604–1605)
- Transfiguration (1604–1605)
- The Circumcision (1605)
- Portrait of Marchesa Brigida Spinola-Doria (1606)
- Portrait of Maria di Antonio Serra (1606)
- Portrait of a Noblewoman with an Attendant (1606)
- Portrait of Giovanni Carlo Doria on Horseback (1606)
- Madonna della Vallicella (1606–1608)
- Susanna and the Elders (1607)
- The Head of Saint John the Baptist Presented to Salome (c. 1609)
- Adoration of the Magi (Madrid; 1609 and 1628–29)
- Samson and Delilah (1609–1610)
- Honeysuckle Bower (1609–1610)
- Coronation of the Virgin (1609–1611)
- Juno and Argus (1610)
- Raising of the Cross (1610–1611)
- Conversion of Saint Paul (London; 1610–1612)
- Massacre of the Innocents (c. 1611)
- Venus Frigida (1611)
- Prometheus Bound (1611–1612)
- The Four Philosophers (1611–1612)
- Antwerp Resurrection (1611–1612)
- Visitation (c. 1611–1615)
- Roman Charity (1612)
- Ecce Homo (1612)
- Descent from the Cross (Antwerp; 1612–1614)
- Saint Teresa of Ávila's Vision of the Holy Spirit (Rotterdam; 1612–1614)
- Saint Teresa of Ávila's Vision of the Holy Spirit (Cambridge; c. 1614)
- The Tribute Money (1612–1614)
- The Defeat of Sennacherib (1612–1614)
- The Four Continents (1610s)
- Christ Giving the Keys to Saint Peter (1612–1614)
- Portrait of a Commander (1613)
- The Crowning of the Virtuous Hero (1613–1614)
- The Incredulity of Saint Thomas (1613–1615)
- The Death of Adonis (1614)
- Venus and Adonis (1614)
- St Sebastian (c. 1614)
- The Virgin Mary and Saint Francis Saving the World from Christ's Anger (c. 1614)
- Madonna della Cesta (1615)
- Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce (1615)
- Daniel in the Lions' Den (1615)
- Bacchanalia (c. 1615)
- A Statue of Ceres (c. 1615)
- The Hippopotamus and Crocodile Hunt (1615–1616)
- The Tiger Hunt (1615–1616)
- Theodosius and Saint Ambrose (1615–1616)
- The Wild Boar Hunt (1615-1617)
- Florence Resurrection (1616)
- The Virgin and Child Surrounded by the Holy Innocents (1616)
- Erichthonius Discovered by the Daughters of Cecrops (c. 1616)
- The Wolf and Fox Hunt (c. 1616)
- The Lion and Leopard Hunt (c. 1616)
- Romulus and Remus (1615–1616)
- Saint Stephen Triptych (1616–1617)
- Two Women with a Candle (1616–1617)
- Descent from the Cross (Lille; 1616–1617)
- The Meeting Between Abraham and Melchizedek (1616–1617)
- Christ and the Penitent Sinners (1617)
- Mars and Rhea Silvia (1617)
- The Garden of Eden with the Fall of Man (1617)
- The Great Last Judgement (1617)
- A Bearded Man (c. 1617–18)
- Adoration of the Magi (Lyon; 1617–1618)
- The Five Senses (1617–1618)
- Two Satyrs (1618)
- Medusa (1618)
- The Rape of the Daughters of Leucippus (c. 1618)
- Christ Triumphant over Sin and Death (c. 1618)
- The Prodigal Son (1618)
- The Union of Earth and Water (c. 1618)
- Tigress with Her Cubs (attributed; 1618)
- Mucius Scaevola before Lars Porsenna (c. 1618–1620)
- Feast in the House of Simon the Pharisee (1618–1620)
- The Wild Boar Hunt (1618-1620)
- St Mary Magdalene in Ecstasy (1619–1620)
- The Small Last Judgement (1619)
- Conversion of Saint Paul (1620s)
- The Fall of the Damned (c. 1620)
- Landscape with Philemon and Baucis (c. 1620)
- Portrait of a Young Man in Armor (c. 1620)
- Saint George and the Dragon (c. 1620)
- Perseus Freeing Andromeda (1620)
- Saints Dominic and Francis Saving the World from Christ's Anger (1620)
- The Rape of Orithyia by Boreas (1620)
- Christ on the Cross (1620)
- The Three Graces (Florence; 1620–1623)
- Isabella Brant (c. 1621)
- The Lion Hunt (1621)
- Marie de' Medici cycle (1621–1630)
- Portrait of Susanna Lunden (1622)
- Perseus and Andromeda (c. 1622)
- The History of Constantine (1622–1625)
- Self-Portrait (1623)
- The Conversion of Saint Bavo (1623–1624)
- Diana and Her Nymphs Leaving for the Hunt (1623–1624)
- Adoration of the Magi (Antwerp; 1624)
- The Reconciliation of Esau and Jacob (1624)
- Christ Appointing Saint Roch as Patron Saint of Plague Victims (1623–1626)
- Portrait of Infante Isabella Clara Eugenia (1625)
- Portrait of George Villiers, 1st Duke of Buckingham (c. 1625)
- Assumption of the Virgin Mary (1625–1626)
- Angelica and the Hermit (c. 1626–1628)
- Henry IV at the Battle of Ivry (1627)
- The Triumphal Entry of Henry IV into Paris (1627)
- The Annunciation (1627–1628)
- The Fall of Man (1628–1629)
- The Rape of Europa (1628–1629)
- Minerva Protecting Peace from Mars (1629–1630)
- Cimon and Pero (1630)
- Saint Francis Receiving the Stigmata (c. 1630)
- The Crowning of Saint Catherine (1631)
- The Ildefonso Altarpiece (1630–1631)
- Last Supper (1630–1631)
- Odysseus on the Island of the Phaecians (1630–1635)
- The Finding of Erichthonius (1632–1634)
- The Rainbow Landscape (Saint Petersburg; 1632–1635)
- The Garden of Love (c. 1633)
- Adoration of the Magi (Cambridge; 1634)
- Bathsheba at the Fountain (c. 1635)
- The Dance of the Villagers (1635)
- Helena Fourment with Her Son Frans (1635)
- Venus and Adonis (New York; 1635)
- The Triumph of the Church (1635)
- The Feast of Venus (1635–1636)
- The Feast of Herod (1635–1638)
- The Village Fête (1635–1638)
- Mercury and Argus (1635–1638)
- Hercules's Dog Discovers Purple Dye (c. 1636)
- Helena Fourment with Children (1636)
- A View of Het Steen in the Early Morning (1636)
- Saturn (1636)
- The Rainbow Landscape (London; 1636)
- Pallas and Arachne (1636–1637)
- Het Pelsken (1636–1638)
- The Birth of the Milky Way (c. 1637)
- Consequences of War (c. 1638)
- Hercules in the Garden of the Hesperides / Deianira Listens to Fame (1638)
- The Three Graces (Madrid; 1636–1638)
- The Rape of Ganymede (1636–1638)
- Diana and Callisto (1637–1638)
- Helena Fourment with a Carriage (1638)
- Self-Portrait (Vienna; 1638–1639)
- Bacchus (1638–1640)
- The Rape of the Sabine Women (1639–1640)
- The Peasants Returning From The Fields (1640)
- The Rainbow Landscape (Munich; 1640)
- Judgment of Paris (various)
- The History of Constantine (1622–1640) (with Pietro da Cortona)
- Palazzi di Genova (1622)
- Rubens family
- Isabella Brant (first wife)
- Helena Fourment (second wife)
- Nicolaas Rubens, Lord of Rameyen (son)
- Albert Rubens (son)
- Jan Rubens (father)
- Maria Pypelinckx (mother)
- Philip Rubens (brother)
- Tobias Verhaecht (teacher)
- Adam van Noort (teacher)
- Otto van Veen (teacher)
- Nicolaas Rockox (friend)
- Poussinists and Rubenists
- Rubens (1977 film)
- Rubenesque
- Rubens' Europe (exhibition)