Liz Phair

American singer-songwriter

  • Indie rock
  • lo-fi
  • alternative rock
  • pop rock
Occupation(s)Singer-songwriterInstrument(s)
  • Vocals
  • guitar
  • piano
Years active1990–presentLabels
  • Matador
  • Capitol
  • ATO
  • PAX AM
Musical artist

Elizabeth Clark Phair (born April 17, 1967) is an American rock singer-songwriter and musician.[1] Born in New Haven, Connecticut, Phair was raised primarily in the Chicago area. After graduating from Oberlin College in 1990, she attempted to start a musical career in San Francisco, California, but returned to her home in Chicago, where she began self-releasing audio cassettes under the name Girly-Sound. The tapes led to a recording contract with the independent record label Matador Records.

Phair's 1993 debut studio album, Exile in Guyville, was released to acclaim; it has been ranked by Rolling Stone as one of the 500 Greatest Albums of All Time. Phair followed this with her second album, Whip-Smart (1994), which earned her a Grammy Award nomination for Best Female Rock Vocal Performance, and Whitechocolatespaceegg (1998). Ten years after the release of her debut, Phair's fourth album, Liz Phair (2003), released on Capitol Records, moved towards pop rock, earning her a mainstream audience but alienating critics; the single "Why Can't I?" peaked at number 32 on the Billboard Hot 100.[2]

After the release of her fifth album, Somebody's Miracle (2005), Phair left Capitol and released her sixth album Funstyle independently in 2010. In 2018, it was announced that Matador Records would be releasing a retrospective set for Phair's debut album Exile in Guyville, which includes remastered recordings from her original Girly Sound demo tapes. Phair released her seventh studio album, Soberish, in 2021. As of 2011, Phair had sold over three million records worldwide.[3]

Early life

Phair was born in New Haven, Connecticut,[4] on April 17, 1967.[5] She was adopted at birth by Nancy, a historian and museologist,[6] and John Phair, later an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital;[7] her mother later worked as a professor at the Art Institute of Chicago.[8][9] She has one older brother, also adopted.[10] On being adopted, Phair has said: "My parents were very responsible ... They were perfect about it ... I've never tried to find [my biological] parents. My friend who was adopted from the same home requested information and got back a four-page letter about her mother's life. She said it was jaw-dropping."[10] Phair was raised as a Christian.[11]

Phair spent her early life in Cincinnati until age nine, when her family relocated to the Chicago suburb of Winnetka, Illinois.[12] She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among many other advanced-level classes.[13] She attended Oberlin College in Oberlin, Ohio, where she graduated in 1990 with a B.A. in art history.[14][6]

Career

1990–1992: Girly Sound tapes

Phair's entry into the music industry began when she met guitarist Chris Brokaw, a member of the band Come. Brokaw was dating one of Phair's friends, and stayed at their loft in SoMa one weekend. After living in San Francisco for a year, Phair went broke and returned to Chicago, moving back in to her family's home.[15] There, she began writing lyrics and playing guitar, recording songs on a four-track tape recorder in her bedroom.[15] She used the name Girly Sound on these recordings.[16] She became part of the alternative music scene in Chicago and became friends with Material Issue and Urge Overkill, two of Chicago's upstart bands to go national in the early 1990s, as well as Brad Wood and John Henderson, head of Feel Good All Over, an independent label in Chicago.[4]

1992–2003: Exile in Guyville; critical recognition

After asking Wood who the "coolest" indie label was, Phair called up Gerard Cosloy, co-president of Matador Records, in 1992 and she asked him if he would put out her record. Coincidentally, Cosloy had just read a review of Girly Sound in Chemical Imbalance that very day and told Phair to send him a tape. Phair sent him a tape of six Girly Sound songs. Cosloy recalls: "The songs were amazing. It was a fairly primitive recording, especially compared to the resulting album. The songs were really smart, really funny, and really harrowing, sometimes all at the same time. ... I liked it a lot and played it for everybody else. We usually don't sign people we haven't met, or heard other records by, or seen as performers. But I had a hunch, and I called her back and said O.K."

Cosloy offered a $3,000 advance, and Phair began working on a single, which turned into the 18 songs of Exile in Guyville.

Exile in Guyville was produced by Phair and Brad Wood, and released in 1993.[16] The album received uniformly excellent reviews. The album received significant critical acclaim for its blunt, honest lyrics and for the music itself, a hybrid of indie rock and lo-fi, and established Phair's penchant for exploring sexually explicit lyrics. By contrast, her trademark low, vibrato-less monotone voice[17] gave many of her songs a slightly detached, almost deadpan character.

The release of Phair's second album received substantial media attention and an advertising blitz. Whip-Smart debuted at #27 in 1994 and "Supernova," the first single, became a Top 10 modern rock hit, and the video was frequently featured on MTV. Phair also landed the cover of Rolling Stone with the headline "A Rock Star Is Born." The album received positive reviews, but not as acclaimed as the debut, but was certified Gold (shipments of at least 500,000 units). It ultimately did not sell as well as expected, as it was hoped the album would introduce Phair to a wider, more mainstream audience. Following Whip-Smart, Phair released Juvenilia, a collection of some early Girly Sound tracks and several B-sides, including her cover of the 1980 song by The Vapors, "Turning Japanese."

In 1994, Phair made several live television and radio appearances in an effort to promote Exile in Guyville and Whip-Smart; she appeared on Late Show With David Letterman performing "Never Said" and "Supernova", and on The Tonight Show with Jay Leno performing an acoustic version of "Whip-Smart". She also performed "Alice Springs" live on Good Morning America.

She also appeared on the MTV alternative rock show 120 Minutes performing "Never Said", "6'1", "Cinco de Mayo" and "Supernova" live at various times during 1994 and early 1995.

Phair's third album, Whitechocolatespaceegg, was released in 1998 after some delays, which included a disagreement about content; at one point, Matador rejected the album as submitted, and asked Phair to write a few additional radio-friendly songs for the set.[18] The album displayed a more mature Phair, and reflected some of the ways marriage and motherhood affected her. While the single "Polyester Bride" received some airplay, and the album received many positive reviews, it was no more successful commercially than her previous records. To promote the record, Phair joined Lilith Fair. Phair performed on the main stage along with acts like Sarah McLachlan, Emmylou Harris, Sheryl Crow and Missy Elliott. She also opened for Alanis Morissette on her 1999 Junkie Tour.[19]

Phair portrayed the role of Brynn Allen, opposite Robin Tunney, in the 2002 film Cherish.[20]

2003–2007: Liz Phair and Somebody's Miracle

Phair in concert, October 26, 2005

Phair provided backing vocals on the 2003 Sheryl Crow single "Soak Up the Sun".[21] In 2003, Phair released her self-titled fourth album on her new label, Capitol Records. It departed from Phair's earlier lo-fi sound for more polished pop production and songwriting.[22] Phair said she wanted to earn more money from her work,[23] and hired the Matrix, who had produced songs by pop acts including Avril Lavigne, to create some songs, including the singles "Extraordinary" and "Why Can't I?"[24] Liz Phair debuted at #27 on the Billboard 200. "Why Can't I?" entered the Adult Top 40 and Hot Adult Contemporary charts, and its music video placed Phair in heavy rotation on VH1 for the first time. It received mixed reviews, including negative reviews from the New York Times and Pitchfork, who accused Phair of selling out and mimicking younger artists.[25][26] In 2019, the Pitchfork critic Matt LeMay apologized for his review, saying he had failed to appreciate Phair's willingness to "try on different masks".[27]

Somebody's Miracle, Phair's fifth album and final with Capitol Records, was released in 2005. It returned to a rock sound.[28] The album received mixed reviews, with Amy Phillips of Pitchfork writing: "Now this is a terrible Liz Phair record. Somebody's Miracle is mostly generic pap that any number of next-big-has-beens could have cranked out, a useless piece of plastic poking a pointy heel in the eye of the carcass of the artist Liz once was."[29] Phillips also suggested it was worse than her largely critically derided previous album.[29] A review published by MSNBC found the album "less blatantly commercial [than her previous], but still smooth, reflecting her increasing shift toward a clearer sound".[30]

2008–2009: Television composing

Phair signed with Dave Matthews' label ATO Records in early 2008 and re-released Exile in Guyville on June 24, 2008,[31] on CD, vinyl, and in digital format, featuring three songs from the original recording sessions, "Ant in Alaska," "Say You," and an untitled instrumental, and also a documentary DVD, "Guyville Redux." "[32]

In May 2009, Phair released a new song, "Faith and Tenderness," sold exclusively at Banana Republic on a compilation disc featuring other artists.[33] Also in 2009, Phair began working as a television composer, following an invitation by her childhood friend Mike Kelley to score the show he was creating for CBS, Swingtown, given it was based on the life in their hometown. For the task, Phair decided to bring in Doc Dauer, producer of a children's album about bodily functions, The Body Rocks, where Phair performed after being brought in by Pete Yorn, and Dauer's creative partner Evan Frankfort.[34] She followed it by creating the theme song for NBC's The Weber Show, and working for the CW's The 100, the USA Network show In Plain Sight and the CW reboot of 90210, for which she won the 2009 ASCAP award for Top Television Composer.[35]

2010–2015: Funstyle

On July 3, 2010, Phair's official website announced a surprise link to download her new album Funstyle, which she released independently after parting ways with Capitol Records and ATO.[36] The song "Bollywood" was available to stream from the site for a limited time, before Phair took it down.

A note from Phair to her fans posted on her official website explained why the songs were problematic:

How To Like It.

You were never supposed to hear these songs. These songs lost me my management, my record deal and a lot of nights of sleep.

Yes, I rapped one of them. Im as surprised as you are. But here is the thing you need to know about these songs and the ones coming next: These are all me. Love them, or hate them, but dont mistake them for anything other than an entirely personal, un-tethered-from-the-machine, free for all view of the world, refracted through my own crazy lens.

This is my journey. Ill keep sending you postcards.

— Liz

Phair revealed in an interview with the Wall Street Journal that the falling out with her record label, ATO, occurred after a change in management. She explained, "The people who were still there didn't like, or didn't know what to do with, the music I was making, so we just stalled out and I asked to leave."[37]

Phair went on tour to promote the album, playing many songs from Guyville and Whip-Smart, along with songs from the rest of her repertoire. The Funstyle Tour ran from October 2010 to March 2011. The tour's last show took place at the SXSW festival in Austin, Texas.

In 2012, she co-wrote and performed the song "Dotted Line" with A. R. Rahman for the film People Like Us. "The song 'Dotted Line' I wrote with A. R. Rahman for Alex Kurtzman's film 'Welcome To People'," she said in an interview. "Both amazing. 'Welcome To People' is a truly powerful film. Very proud of being part of it."[38]

The dystopian holiday song "Ho Ho Ho" was released by Phair in late 2014.[39] In 2014, Capitol released a greatest hits compilation of Phair's work entitled Icon.

2016–Present: Guyville retrospective, Soberish and recent tours

In spring of 2016, Phair supported The Smashing Pumpkins on their In Plainsong tour, performing as the opening act.[40]

In late 2015 and mid-2016, Phair stated on her Twitter that she intended to release two albums by the end of 2016.[41][42] It was confirmed via Twitter that Phair was working on a double album, produced by fellow singer-songwriter Ryan Adams in his PAX-AM recording studio.[43] Phair's project with Adams did not proceed. When multiple women publicly disclosed accusations of abuse against Adams in 2019, a Twitter user asked Phair for a comment about Adams, to which she replied, "My experience was nowhere near as personally involving, but yes the record ended and the similarities are upsetting."[44]

In 2018, it was announced that Phair's former label, Matador, would be releasing a 25th-anniversary retrospective set for her debut album, Exile in Guyville; the set, titled Girly Sound to Guyville, includes remasters of Phair's 1991 demo tapes recorded under the moniker Girly Sound from the original sources, and was released May 4.[45] In support of this retrospective, Phair embarked on two North American tours — the Girly Sound to Guyville Tour and the Amps on the Lawn Tour. Phair continued to tour over the summer of 2019.

In April 2019, Phair announced via her Instagram that she had been working on new studio material with Brad Wood, who produced Exile in Guyville, Whip-Smart, and parts of whitechocolatespaceegg.[46] On October 8, 2019, Phair shared "Good Side," a song from these sessions. Her seventh album, titled Soberish, was released in 2021.[47]

In April 2020, it was announced that Liz Phair would appear on a cover version of "Hanging on the Telephone" (Blondie and The Nerves) with former friend and collaborator Jim Ellison of Material Issue. The song will be released along with the bio-documentary on Material Issue entitled, Out of Time: The Material Issue Story. It marks the first song to be released with Phair and Ellison since their earlier covers of Turning Japanese and The Tra La La Song (One Banana, Two Banana).[48]

In February 2021, Phair announced she had signed a contract with newly reformed Chrysalis Records to issue her album Soberish later in the year.[49] The album was released that June, produced once again by Brad Wood. It received perhaps Phair's strongest reviews since Guyville. Pitchfork called the album "a solid, sharply written record of sturdy, enjoyable songs that gradually unfold to reveal new depths of feeling."[50] In Rolling Stone, Jon Dolan wrote that Soberish "brings to mind the glory of Guyville and its 1994 follow-up, Whip-Smart, without feeling at all like self-conscious recapitulation."[51] According to the NME, "Soberish serves as a reminder of Liz Phair's brilliance after years of underestimation. Far from simply drawing on her most critically acclaimed albums, it draws on the whole lot, and finds newness within."[52]

Phair was also due to tour with Alanis Morissette for Morissette's rescheduled 2020 tour later in 2021. She canceled for undisclosed reasons. Liz did however end up touring in the fall of 2023 to celebrate the 30th anniversary of Exile In Guyville, where she would perform the album in its entirety alongside several other fan favorites.

Personal life

In 1994, Phair began dating film editor Jim Staskauskas.[53][54] The couple married on March 11, 1995;[55] their son James Nicholas Staskauskas was born on December 21, 1996.[56]

In 2001, Phair and Staskauskas divorced,[45] after which Phair sold her home in Chicago's Lincoln Park neighborhood and relocated to Los Angeles, California.[57] As of 2018, Phair resides in Manhattan Beach, California.[45]

She identifies as a feminist, and Exile in Guyville has been said to capture "the voice of third-wave feminism."[58]

Books

An April 2018 profile by Billboard revealed that Phair had signed a two-book publishing deal with Random House.[45] Horror Stories, the first of two planned memoirs, saw release on October 8, 2019.[59][60] Reviews of Horror Stories were generally favorable with several reviewers noting Phair's skills as a writer and her stark honesty in the book.[61][62][63]

Her second memoir will be called Fairy Tales.[64][65]

Discography

Awards

Year Award Category Work Result
1993 Spin's Readers' Poll Awards Album of the Year Exile in Guyville Won
1995 Grammy Awards Best Female Rock Vocal Performance "Supernova" Nominated
1996 "Don't Have Time" Nominated
1999 Online Music Awards Best Alternative Fansite[66] Nominated
2003 BDSCertified Spin Awards 100,000 Spins[67] "Why Can't I?" Won
2005 BMI Pop Awards Most Performed Work Won
ASCAP Pop Music Awards Won
2009 Top Television Composer "90210" Won
2014 "Super Fun Night" Won
2018 Rober Awards Music Poll Best Reissue Girly-Sound To Guyville Nominated
2019 A2IM Libera Awards Nominated

See also

References

  1. ^ Levitt, Aimee (May 7, 2018). "How the Reader reviewed Exile in Guyville when it first came out". Chicago Reader. Retrieved November 28, 2019.
  2. ^ "Liz Phair Chart History". Billboard. Retrieved May 24, 2018.
  3. ^ Lucia, Mary (January 21, 2011). "Liz Phair performs live in The Current Studios". The Current. Minnesota Public Radio. Retrieved April 23, 2018.
  4. ^ a b Erlewine, Stephen Thomas. "Liz Phair: Biography". AllMusic. Retrieved June 30, 2009.
  5. ^ Bogdanov, Erlewine & Woodstra 2002, p. 305.
  6. ^ a b LaBlanc 1995, p. 380.
  7. ^ Havranek 2009, p. 338.
  8. ^ Pareles, Jon (October 2, 1994). "BLUNT ROCK; Liz Phair". The New York Times Magazine.
  9. ^ Mundy, Chris (October 14, 1993). "Liz Phair: Last train to Guyville". Rolling Stone. No. 167.
  10. ^ a b Resnick, Rachel (June 2006). "A Conversation with Liz Phair". Women's Health: 60–62 – via Google Books. Free access icon
  11. ^ Zirin, Dave (November 14, 2019). "Liz Phair on Everyday 'Horror Stories'". The Nation. Retrieved December 2, 2022.
  12. ^ LaBlanc 1995, p. 179.
  13. ^ "Before They Were Famous – Donovan McNabb, Donald Rumsfeld, Jenny McCarthy, Liz Phair". Chicago Magazine. February 2007. Archived from the original on November 11, 2017. Retrieved April 23, 2018.
  14. ^ "Liz Phair". Centerstage. Chicago. Archived from the original on October 18, 2011.
  15. ^ a b Kot, Greg (September 25, 1994). "CHICAGO SINGER LIZ PHAIR IS VOICE OF THE NOW (FOR BETTER OR FOR WORSE)". Chicago Tribune.
  16. ^ a b Smiley, Tavis (December 28, 2005). "Liz Phair interview". PBS. Archived from the original on January 7, 2007. Retrieved September 4, 2017.
  17. ^ Knopper, Steve (January 21, 2011). "Liz Phair is back, still misunderstood". Chicago Tribune. Chicago, Illinois: Tribune Publishing. Retrieved July 7, 2011. Phair, 43, ... Her 1993 debut, "Exile In Guyville," her shambling, monotone-voiced, ...
  18. ^ France, Kim (September 1998). "Noise: Exile in Diaperville: What Happens When Liz Phair, Queen of One-Nighters, Finds Domestic Bliss?". Spin. Vol. 14, no. 9. Los Angeles, California: SpinMedia. p. 78.
  19. ^ MTV News Staff (December 21, 1998). "Alanis Morissette Announces U.S. Tour Dates". MTV. Retrieved September 1, 2022.
  20. ^ Mitchell, Elvis (June 7, 2002). "Cherish (2002)". The New York Times. New York City. Retrieved January 8, 2017.
  21. ^ Brodsky, Rachel (June 3, 2021). "We've Got A File On You: Liz Phair". Stereogum. Retrieved October 6, 2021.
  22. ^ Pike, Gemma (March 7, 2019). "'I did not enjoy my early career at all'. A frank discussion with Liz Phair". Double J. Retrieved October 6, 2021.
  23. ^ Harrington, Richard (August 15, 2003). "From 'Guyville' to Exile in Popville". Washington Post. ISSN 0190-8286. Retrieved October 6, 2021.
  24. ^ Devenish, Colin (July 17, 2003). "Phair Fires Back". Rolling Stone. Retrieved October 6, 2021.
  25. ^ O'Rourke, Meghan (June 22, 2003). "Liz Phair's Exile in Avril-ville". The New York Times. Retrieved February 22, 2020.
  26. ^ LeMay, Matt (June 24, 2003). "Liz Phair: Liz Phair". Pitchfork. Retrieved September 21, 2012.
  27. ^ LeMay, Matt (October 5, 2021). "Pitchfork Reviews: Rescored". Pitchfork. Retrieved October 5, 2021.
  28. ^ Levy, Ariel (August 15, 2005). "Miss Independent". New York Magazine. Retrieved April 23, 2018.
  29. ^ a b Phillips, Amy (October 2, 2005). "Liz Phair: Somebody's Miracle". Pitchfork. Retrieved April 23, 2018.
  30. ^ "Liz Phair keeps it smooth on 'Miracle'". Today. Associated Press. October 5, 2005. Retrieved April 23, 2018.
  31. ^ "Phair Signs To ATO, 'Guyville' Reissue Due". Billboard.
  32. ^ "ATO Records Liz Phair Biography". atorecords.com. Archived from the original on September 14, 2011. Retrieved December 2, 2009.
  33. ^ Lapatine, Scott (May 14, 2009). "Liz Phair's "Faith & Tenderness" A Banana Republic Exclusive". Stereogum. Retrieved April 23, 2018.
  34. ^ "Cool and Composed". ASCAP. Retrieved April 4, 2012.
  35. ^ Smith, Courtney (November 5, 2015). "How Composing for TV Is Paying Rents and Hurting Bands". Pitchfork. Retrieved April 23, 2018.
  36. ^ Maza, Erik (January 20, 2011). "Liz Phair picks a fight". The Baltimore Sun. Retrieved April 23, 2018.
  37. ^ Saldana, Matt (July 13, 2010). "Liz Phair: Why I Left My Record Company". The Wall Street Journal.
  38. ^ "'People Like Us' Soundtrack Features A New Liz Phair Song Penned For The Film + Poster & New Photo". IndieWire. May 14, 2012. Archived from the original on May 18, 2012. Retrieved June 7, 2012.
  39. ^ "Liz Phair – "Ho Ho Ho" (Stereogum Premiere)". Stereogum. November 18, 2014. Retrieved October 2, 2015.
  40. ^ Carley, Brennan (February 1, 2016). "Smashing Pumpkins to Tour With Liz Phair This Spring". Spin. Retrieved June 17, 2016.
  41. ^ Liz Phair [@PhizLair] (December 1, 2015). "I promise not one, but TWO new records in 2016" (Tweet) – via Twitter.
  42. ^ Liz Phair [@PhizLair] (July 25, 2016). "Goodbye media noise, hello guitars. I owe u 2 albums, after all, by NYE ;" (Tweet) – via Twitter.
  43. ^ Ryan Adams [@TheRyanAdams] (January 13, 2017). "Today we begin the new @PhizLair double album!!! #LizPhair #ExileInPaxAmVille" (Tweet) – via Twitter.
  44. ^ "Archived copy". twitter.com. Archived from the original on February 16, 2019. Retrieved January 15, 2022.{{cite web}}: CS1 maint: archived copy as title (link)
  45. ^ a b c d Reilly, Phoebe (April 20, 2018). "Liz Phair Reflects on 25-Year Anniversary of 'Exile in Guyville' and Being 'Ferociously Protective of Women Right Now'". Billboard. Retrieved April 23, 2018.
  46. ^ Phair, Liz (April 18, 2019). "Working on things in the studio with @bradwood_producifer". Instagram. Archived from the original on December 23, 2021. Retrieved July 5, 2019.
  47. ^ Grech, Aaron (September 9, 2020). "Liz Phair Signs with Chrysalis Records and Will Release a New Album in 2021". mxdwn.com. Retrieved December 11, 2020.
  48. ^ "Out of Time: The Material Issue Story @materialissuedoc". Instagram. April 6, 2020. Retrieved May 12, 2020.
  49. ^ "Liz Phair joins Chrysalis as reborn label's first US signing". Musicweek.com. Retrieved June 6, 2021.
  50. ^ Thomas, Peyton (June 5, 2021). "Soberish". Pitchfork. Retrieved September 1, 2022.
  51. ^ Dolan, Jon (June 4, 2021). "Liz Phair Shows Us Her Best Sides on 'Soberish'". Rolling Stone. Retrieved September 1, 2022.
  52. ^ Hunt, El (June 3, 2021). "Liz Phair – 'Soberish' review: an icon honours her legacy – and sets a new path". NME. Retrieved September 1, 2022.
  53. ^ Dunn, Jancee (October 6, 1994). "Liz Phair: A Rock & Roll Star Is Born". Rolling Stone. Retrieved April 25, 2018.
  54. ^ People Staff (December 26, 1994). "Liz Phair". People. 42 (26). Retrieved April 25, 2018.
  55. ^ Roberts, Michael (April 5, 1995). "Phair Plays". Westword. Retrieved April 25, 2018.
  56. ^ "Liz Phair Delivers Baby, Album". MTV. January 8, 1997. Retrieved April 24, 2018.
  57. ^ Goldsborough, Bob (April 22, 2001). "Rock Singer Phair Sells Chicago Digs". Chicago Tribune. Retrieved April 24, 2018.
  58. ^ "'You could not have given us a bigger middle finger': Liz Phair on how Trump changed her music for ever". TheGuardian.com. May 3, 2018.
  59. ^ "Liz Phair on Being Misunderstood, Ryan Adams, and the Dawn of Girlville". September 5, 2019.
  60. ^ "The Horror and the Humor in Liz Phair's 'Horror Stories', PopMatters". November 14, 2019.
  61. ^ D'Erasmo, Stacey (October 9, 2019). "Liz Phair Still Doesn't Care What We Think". The New York Times. ISSN 0362-4331. Retrieved December 17, 2021.
  62. ^ Schaub, Michael (October 9, 2019). "In 'Horror Stories,' Liz Phair Writes Of 'The Haunting Melodies' In Her Head". NPR. Retrieved December 17, 2021.
  63. ^ Pelly, Jenn (October 12, 2019). "Review: Liz Phair's 'Horror Stories' unleashes a tumble of memories". Los Angeles Times. Retrieved December 17, 2021.
  64. ^ "Liz Phair on Her Best Songs and Humbly Defining Generations of Indie Rock". MSN.
  65. ^ "Liz Phair on Being 'Soberish' and the New Generation of Indie Rockers Inspiring Her". June 21, 2021.
  66. ^ "Google Groups". groups.google.com. Retrieved May 21, 2020.
  67. ^ "Billboard". December 27, 2003.

Works cited

  • Bogdanov, Vladimir; Erlewine, Stephen Thomas; Woodstra, Chris (2002). All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul. Hal Leonard Corporation/Backbeat Books. ISBN 978-0-87930-653-3. OCLC 47823606.
  • Havranek, Carrie (2009). Women Icons of Popular Music. Greenwood Press. ISBN 978-0-313-34085-7.
  • LaBlanc, Michael L. (1995). Contemporary Musicians: Profiles of the People in Music. Vol. 14. Gale. ISBN 978-0-810-35738-9.

External links

Wikimedia Commons has media related to Liz Phair.
Wikiquote has quotations related to Liz Phair.
  • v
  • t
  • e
Liz Phair
Studio albumsExtended plays
Songs
Related articles
Authority control databases Edit this at Wikidata
International
  • FAST
  • ISNI
  • VIAF
National
  • Spain
  • France
  • BnF data
  • Germany
  • Israel
  • United States
  • Czech Republic
  • Netherlands
Artists
  • Grammy Awards
  • MusicBrainz
Other
  • IdRef