Man with the Broken Nose
Man with the Broken Nose | |
---|---|
French: Masque de l'homme au nez casse | |
Man with the Broken Nose | |
Artist | Auguste Rodin |
Year | 1863 (1863) |
Type | Sculpture |
Medium | Bronze |
Dimensions | 31.2 cm × 19 cm × 16.3 cm (7.9 in × 4.8 in × 4.1 in) |
Location | numerous |
Man with the Broken Nose is a sculpture by Auguste Rodin created between 1863 and 1864 and approved by the Salon in 1875. It is considered the first by Rodin in which life is represented over the grace pervading the academic circles and aesthetic of the time.[1]
Rodin made a first model of this piece on plaster in 1864, but lost the back of the bust. Later, in 1880, a second model, this time in bronze, was cast and is the surviving cast of the piece. A marble copy was made by Léon Fourquet.[2]
History
In 1863, Rodin adapted a stable to become his atelier, where he worked with an amateur model by the name of "Bibi" to make his first model of the mask.[3] According to Rainer Maria Rilke the man before Rodin "a man with a calm demeanor and face. It had the face of a live man which, when explored, was full of agitation and disorder".
Description and influence
The sculpture was cast on bronze with black, brown and green patina. It has a 12.5 x 15.1 x 15.3 cm (3.1 x 3.8 x 3.8 in) base, where Rodin's signature can be found. [4]
Even though there is a clear influence by other works at the Louvre, this mask represents the fidelity on contours that is characteristic of Rodin, made clear in the profound wrinkles and severe facial expression. This work was crucial in Rodin's unique aesthetical development.
According to the artist himself: "That mask determined all my future work; it's the first modeled piece I did. Ever since, I've tried to see my works from all possible points of view and to draw them in every one of their aspects. That mask has been on my mind in every thing I have done".[5] His later portraits have a singular life and individuality, partly because Rodin stayed on his contour modeling principles.
Problems
The mask was originally titled Portrait of M. *** and was generally rejected because it presented a man with a broken nose and strong, sharp facial features; which was considered ugly to the eyes of most people.[6]
See also
References
- ^ "Clark Art - Man with a Broken Nose".
- ^ "Man with the Broken Nose - Rodin Museum".
- ^ Tancock, John L. (1997). Rodin en México. Colección de escultura europea de los siglos XlX y XX [Rodin in Mexico. Collection of European Sculptures of the XIX and XX centuries] (in Spanish). México: Fundación Carlos Slim. pp. 65–71. ISBN 9687794038.
- ^ Museo Soumaya (2016). La puerta del Infierno [The Gates of Hell] (in Spanish). México: Fundación Carlos Slim. pp. 47–49. ISBN 9786077805182.
- ^ Museum, Rodin. "Rodin Museum - Collections Object : Mask of the Man with the Broken Nose".
- ^ Museo Soumaya (2007). La era de Rodin [The Age of Rodin] (in Spanish). México: Fundación Carlos Slim. p. 143. ISBN 9789687794365.
External links
- Media related to The Man with the Broken Nose (Auguste Rodin) at Wikimedia Commons
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- List of sculptures
- Man with the Broken Nose (1863)
- Alsatian Orphan (1871)
- Suzon (1872–73)
- The Age of Bronze (1876)
- La Defense (1879)
- The Maiden Kissed by the Ghost (1880)
- The Shade (1880)
- The Gates of Hell (1880/1917)
- The Thinker (1880, locations)
- Adam (1880–81)
- Eve (1881)
- Crouching Woman (1880–1882)
- Saint John the Baptist (1880/1907)
- Ugolino and His Sons (1881)
- The Kiss (1882)
- I Am Beautiful (1882)
- The Falling Man (1882)
- Jules Dalou (1883)
- Bust of Maurice Haquette (1883)
- Bust of Victor Hugo (1883)
- Eternal Springtime (1884)
- Torso of Adele (c. 1884)
- The Burghers of Calais (1884–1889)
- Head of Camille Claudel (1884/1911)
- The Prodigal Son (1885)
- Mask of a Weeping Woman (1885)
- The Martyr (1885)
- Psyche Looking at Love (1885)
- Eustache de Saint Pierre (1885–86)
- Jean d'Aire (1885–86)
- Jean de Fiennes (1885–86)
- Avarice and Lust (1885–1887)
- Damned Women (1885–1890)
- The Old Tree (1885)
- Paolo and Francesca (1885)
- Young Mother (1885)
- Young Mother in the Grotto (1885)
- Young Woman with a Serpent (c. 1885)
- The Three Shades (1886)
- Meditation (1886)
- Fugitive Love (1886–87)
- Ovid's Metamorphoses (1886–1889)
- Pierre de Wiessant (1887)
- Head of Saint John the Baptist (1887)
- The Sirens (1887)
- Polyphemus (1888)
- Standing Mercury (1888)
- The Kneeling Man (1888)
- Adonis Awakens (1889)
- Andromeda (1889)
- Glaucus (1889)
- Kneeling Female Faun (1889)
- The Succubus (1889)
- Despair (c. 1890)
- Brother and Sister (1890)
- Danaid (1890)
- Cybele (1890/1904)
- Monument to Balzac (1892–1897)
- Balzac in the Robe of a Dominican Monk (1892)
- Youth Triumphant (c. 1894)
- Octave Mirdeau (1895)
- Iris, Messenger of the Gods (c. 1895)
- Bacchantes Embracing (c. 1896)
- The Spirit of Eternal Repose (1898–99)
- Illusions Received by the Earth (pre-1900)
- The Athlete (1901–1904)
- The Death of Adonis (1903–1906)
- Adam and Eve (1905)
- The Walking Man (1907)
- The Cathedral (1908)
- The Prayer (1909)
- Standing Female Faun (1910)
- Musée Rodin (Hôtel Biron), Paris
- Rodin Museum, Philadelphia
- Museu Rodin Bahia, Salvador
- Plateau (closed)
- 1888–89 Claudel bust
- 1909 Bourdelle bust
- Rodin — The Thinker (1902 photograph)
- Camille Claudel (1988 film)
- Camille Claudel (2003 musical)
- Camille Claudel 1915 (2013 film)
- Rodin (2017 film)
- Rodin (crater)
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