Nicholas Vines

Nicholas Vines (born Sydney, 1976), is an Australian composer currently based in Sydney. He is particularly active at home and in the United States.

Interpreters of Vines’ work range from specialist new music ensembles to high school students. He has received prizes from the US, UK and Poland, as well as Australian honours such as APRA AMCOS Art Music Awards. His compositions are published by Faber Music,[1] Wirripang and the Australian Music Centre. Three albums of his music are available commercially: Torrid Nature Scenes[2] (Stephen Drury & the Callithumpian Consort), Loose, Wet, Perforated[3] (Guerilla Opera) and Hipster Zombies From Mars[4][5] (Ryan MacEvoy McCullough).

While at the University of Sydney, Vines’s main teachers were Anne Boyd, Peter Sculthorpe and Ross Edwards. He later completed a PhD at Harvard University, studying with Harrison Birtwistle, Bernard Rands, Magnus Lindberg, Julian Anderson, Lee Hyla, Mario Davidovsky, Judith Weir and Michael Finnissy.

Vines actively identifies with transmodernism.[6] His compositional approach is rooted in the technical resources of the Western classical canon, while embracing sounds and ideas from an array of popular, experimental, Australian and non-Western traditions.[7] This combination of rigour and pluralism gives rise to music at once vectored and kaleidoscopic. Vines has worked in both traditional and bespoke forms, producing some eighty-five compositions. His output includes three operas,[8][9][10][11][12] a symphony, two string quartets,[13] a piano quartet,[14] numerous other chamber works,[15][16][17][18] and twelve preludes,[19] twenty-one miniatures and a variations & theme[20] for piano, as well as many examples of Gebrauchsmusik.

Vines is also a keen mentor of young composers. From 2007 to 2022, he ran the New Works Program for New England Conservatory’s Summer Institute for Contemporary Performance Practice.[21] His role with the Artology Fanfare Project (2014–21) was significant, and he has been intrinsic to numerous school-based Australian music seminars. Vines currently teaches at Sydney Grammar School as the Senior Master in Academic Extension (Music). One of his initiatives is Composition Club, where he has taught his students about Peter Sculthorpe, video game soundtracks, Shostakovich, and Ava Max.

Notes

  1. ^ Titcomb 2009
  2. ^ Limelight 2013
  3. ^ Vittes 2018
  4. ^ Sounds Like Sydney 2022
  5. ^ Harry 2018
  6. ^ Vines 2018
  7. ^ Vines 2018
  8. ^ Keebaugh 2016
  9. ^ Guerrieri 2011
  10. ^ Schwartz 2011
  11. ^ Reid 2006
  12. ^ The Age 2004
  13. ^ Nolan 2016
  14. ^ Guerrieri 2015
  15. ^ da Fonseca-Wollheim 2018
  16. ^ Lorenzon 2014
  17. ^ Patterson 2011
  18. ^ Catlett 2009
  19. ^ Sounds Like Sydney 2022
  20. ^ Kerry 2015
  21. ^ SICPP 2022

External links

  • Nicholas Vines
  • Australian Music Centre Biography

References

  • Sounds Like Sydney (2022), Nicholas Vines And Rob Hao On Vines’ Indie Ditties, accessed 10/04/24, https://www.soundslikesydney.com.au/nicholas-vines-and-rob-hao-on-vines-indie-ditties
  • Harry, Hollis (2018), New music: Reviews of this week's CD releases, accessed 10/04/24, https://www.winnipegfreepress.com/arts-and-life/entertainment/music/2018/07/05/new-music-333
  • PARMA Recordings (2018), THE INSIDE STORY: Nick Vines and HIPSTER ZOMBIES FROM MARS, accessed 10/04/24, https://www.parmarecordings.com/the-inside-story-nick-vines-and-hipster-zombies-from-mars
  • Vines, Nicholas (2018), Insight-Hipster Zombies from Mars, Australian Music Centre, accessed 23/12/21, https://www.australianmusiccentre.com.au/article/insight-hipster-zombies-from-mars
  • Vittes, Laurence (2018), VINES Loose, Wet, Perforated, Gramophone, accessed 10/04/24, https://www.gramophone.co.uk/review/vines-loose-wet-perforated
  • Keebaugh, Aaron (2016), Guerilla Opera revives Vines’ dark, thoughtful morality play, Boston Classical Review, accessed 12/04/24, https://bostonclassicalreview.com/2016/09/guerilla-opera-revives-vines-dark-thoughtful-morality-play/
  • Nolan, Paul (2016), ACACIA QUARTET PRESENTS ‘THE HARP AND THE HARPOON’ @THE UTZON ROOM, Sydney Arts Guide, accessed 12/04/24, https://sydneyartsguide.com.au/acacia-quartet-presents-the-harp-and-the-harpoon-the-utzon-room/
  • Guerrieri, Matthew (2015), At SICPP, modernism in moderation on Monday, The Boston Globe, accessed 10/04/24, https://www.bostonglobe.com/arts/music/2015/06/16/sicpp-modernism-moderation-monday/skWQwNPsBLsGAc98URJMyI/story.html
  • Kerry, Gordon (2015), Piano Inside Out, The Music Trust, accessed 12/4/24, https://musictrust.com.au/piano-inside-out-works-by-gyger-vines-rojas-young-whale-page-and-moles/
  • Lorenzon, Matthew (2014), Metropolis: Syzygy Ensemble, Logic, Partial Durations, accessed 12/4/24, https://partialdurations.com/tag/nicholas-vines/
  • Limelight (2013), Review: Nicholas Vines: Torrid Nature Scenes (Callithumpian Consort), accessed 10/04/24, https://limelight-arts.com.au/tag/callithumpian
  • da Fonseca-Wollheim, Corinna (2013), Wiggling Worms and Fluttering Birds, The New York Times, accessed 11/4/24, https://www.nytimes.com/2013/06/03/arts/music/counter-induction-at-the-tenri-cultural-institute.html
  • Guerrieri, Matthew (2011), New England Prospect: Looking Backward, NewMusicBox, accessed 12/4/24, https://newmusicusa.org/nmbx/new-englands-prospect-looking-backward/
  • Patterson, David (2011), Radius’s Audial Splashes and Sixth Sense, The Boston Musical Intelligencer, accessed 12/4/24, https://www.classical-scene.com/2011/10/02/radius-2/
  • Schwartz, Lloyd (2011), Guerilla Opera's Loose, Wet, Perforated, The Boston Phoenix, accessed 12/4/24, https://thephoenix.com/Boston/music/127063-guerilla-operas-loose-wet-perforated/
  • Catlett, Jason (2009), The Origin Cycle, TimeOut Sydney, accessed 12/4/24, https://petergodfreysmith.com/Origin_Cycle_TimeOut_Sydney_09.pdf
  • Titcomb, Caldwell (2009), It's 'Sick Puppy' Time, the arts fuse, accessed 12/4/24, https://artsfuse.org/1101/classical-music-review-it%e2%80%99s-%e2%80%98sick-puppy%e2%80%99-time/
  • Reid, Chris (2006), Singing the unheroic hero, accessed 12/04/24, https://w.realtimearts.net/article.php?id=8324
  • The Age (2004), The Hive, accessed 12/04/24, https://www.theage.com.au/entertainment/art-and-design/the-hive-20040723-gdyb5i.html
  • SICPP (2022), http://sicpp.org/speaker-lineup/nicholas-vines, accessed 12/04/24
  • https://www.australianmusiccentre.com.au/artist/vines-nicholas, accessed 23/12/21
  • https://www.australiancomposers.com.au/pages/nicholas-vines, accessed 10/04/24
  • https://www.navonarecords.com/artists/nicholas-vines, accessed 10/04/24
  • https://www.move.com.au/artist/nicholas-vines, accessed 10/04/24
  • https://menziesfoundation.org.au/nicks-dual-career-the-way-of-the-future, accessed 11/04/24
  • https://limelight-arts.com.au/features/music-matters, accessed 10/04/24)
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