The Battle between the Israelites and the Amorites
Painting by Nicolas Poussin
The Battle between the Israelites and the Amorites, Joshua's Battle Against the Amorites or Joshua's Victory over the Amorites is a c. 1625 oil-on-canvas painting by the French artist Nicolas Poussin, now in the Pushkin Museum, in Moscow.
It was produced as a pendant to Joshua's Battle against the Amalekites by the same artist during his time in Rome. He fell into dire financial straits after the 1625 death of his patron, the poet Giovan Battista Marino and cardinal Francesco Barberini (1597–1679)'s departure from the city – this forced him to sell both works.[1] They were both acquired by Catherine II of Russia to be kept in Poussin's cousin Gaspar Dughet's home on via Paolina in Rome.[2] The pair was split up in 1927.[3]
See also
References
Bibliography
- Carl Villis (2012). Poussin : the Crossing of the Red Sea: a conservation project (in French). Melbourne: National Gallery of Victoria.
External links
- (in Italian) "Nicolas Poussin le opere".
- v
- t
- e
Nicolas Poussin
- The Death of Chione (1622)
- The Battle between the Israelites and the Amorites (c. 1625)
- Joshua's Battle against the Amalekites (c. 1625)
- Venus and Adonis (1626)
- The Capture of Jerusalem by Titus (1626; 1635)
- The Death of Germanicus (1627)
- Saint Cecilia (1627–1628)
- Echo and Narcissus (1627–1628)
- The Martyrdom of Saint Erasmus (1628–1629)
- The Mystic Marriage of Saint Catherine (1628–1629)
- Plague of Ashdod (1628–1630)
- Cephalus and Aurora (c. 1629–1630)
- The Inspiration of the Poet (1629–1630)
- Sleeping Venus with Cupid (1628–1630)
- Saint James the Great's Vision of the Virgin Mary (1629–1630)
- Venus Weeping for Adonis (c. 1630)
- The Massacre of the Innocents (1625–1632)
- Parnassus (1631–1633)
- A Bacchanalian Revel Before a Term (1632–1633)
- The Adoration of the Golden Calf (1633–1634)
- Adoration of the Shepherds (1633–1634)
- The Crossing of the Red Sea (1633–1634)
- The Rape of the Sabine Women (1634–1635, 1637–1638)
- A Dance to the Music of Time (1634–1636)
- Triumph of Neptune and Amphitrite (c. 1636)
- Camillus Handing the Falerian Schoolmaster over to his Pupils (1637)
- Et in Arcadia ego (1637–38)
- Seven Sacraments (first series 1637–1640; second series 1644–1648)
- Theseus Rediscovering His Father's Sword (1638)
- The Manna (1638–1639)
- Extreme Unction (1638–1640)
- The Continence of Scipio (1640)
- Landscape with Saint John on Patmos (1640)
- The Funeral of Phocion (1648)
- Landscape with the Ashes of Phocion (1648)
- Landscape with Polyphemus (1649)
- Landscape with Three Figures (1645–1650)
- Landscape with Orpheus and Eurydice (1650–1653)
- The Flight into Egypt (1657–1658)
- Blind Orion Searching for the Rising Sun (1658)
- Landscape with Two Nymphs (1659)
- Landscape with Hercules and Cacus (c. 1660)
- The Four Seasons (1660–1664)
- Apollo and Daphne (1661–1664)
 | This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
