The Supremes at the Copa
The Supremes at the Copa | ||||
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Live album by The Supremes | ||||
Released | November 1, 1965 | |||
Recorded | August 1965 | |||
Venue | Copacabana nightclub, Manhattan, New York City, New York | |||
Genre |
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Length | N/A | |||
Label | Motown | |||
Producer |
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The Supremes chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Record Mirror | [2] |
The Supremes at the Copa is a live album by Motown singing group the Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by the Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
History
Background
The Supremes were following Ella Fitzgerald, Lena Horne, Sammy Davis Jr., Sarah Vaughan, Nat King Cole and Sam Cooke, among the first African-American entertainers to appear at the Copa, and playing the club was seen by Motown CEO Berry Gordy as an in-roads into the conservative white middle-America market. Gordy and the Motown staff, including vocal director Maurice King and choreographer Cholly Atkins, invested significant amounts of time and money into preparing the Supremes for their Copa debut.
Tensions ran high at several points during the preparation stages. Florence Ballard was angered that her only solo number, "People", was dropped from the show while Ross herself complained about the group's staging and bristled under Gordy's criticisms of their performances. Nevertheless, the Copa engagement was a success, paving the way for several other Motown stars, including The Temptations, Marvin Gaye, Martha & the Vandellas and Smokey Robinson & the Miracles to secure play dates at the Copa.
After the success of their initial Copa engagement, Mary Wilson noted that the Supremes were "welcome to play any club in the world"[3] The group would play engagements at the Copa for the next seven years, and eventually earned $20,000 a week for these performances, fees on the level of popular performers such as Sammy Davis Jr. and Dean Martin. Incidentally, Davis wrote the liner notes for this album.
Album release information
The Supremes at the Copa LP was issued by Motown on November 1, 1965; Motown also released the Supremes' Merry Christmas LP on the same date. At the Copa peaked at number 11 on the Billboard Top LPs albums chart, and at number six on the Billboard R&B Albums chart.
The performances included on the LP include several pop standards, four of the Supremes' number-one hit singles and a medley of songs by late soul star Sam Cooke. Berry Gordy and Motown's head engineer Lawrence Horn are credited as the producers, and the orchestra was arranged and conducted by Gil Askey. The release of The Supremes at the Copa led Motown to shelve a studio-record album of pop covers, There's a Place for Us, which featured many of the same songs as Copa, with the same arrangements.
The Supremes at the Copa does not include the group's entire set: for example, "From This Moment On" was the opening number in their Copa set, not "Put on a Happy Face". When the tapes were brought back to Detroit following the Copa engagement, it was discovered the recording quality did not come up to Motown quality standards as the acoustics at the Copa were not congenial to recording. Gordy had Ross re-record her vocals live in Motown's Hitsville U.S.A. studio. Reportedly, Ross did the studio vocals in one long take, doing the whole show as she would have at the Copa.[4]
Track listing
Side one
- Opening Introduction
- "Put On A Happy Face" (Lee Adams, Charles Strouse)
- "I Am Woman, You Are Man" (Jule Styne, Bob Merrill)
- "Baby Love" (Holland–Dozier–Holland)
- "Stop! In the Name of Love" (Holland-Dozier-Holland)
- "The Boy from Ipanema" (Antônio Carlos Jobim, Vinicius de Moraes, Norman Gimbel).
- "Make Someone Happy" (Styne, Betty Comden, Adolph Green)
- "Come See About Me" (Holland-Dozier-Holland)
- "Rock-a-Bye Your Baby with a Dixie Melody" (Sam M. Lewis, Jean Schwartz, Joe Young)
Side two
- "Queen of the House" (Roger Miller, Mary Taylor)
- Group Introduction
- "Somewhere" (Leonard Bernstein, Stephen Sondheim)
- "Back in My Arms Again" (Holland-Dozier-Holland)
- Sam Cooke Medley (Sam Cooke)
- "You Send Me"
- "Cupid"
- "Chain Gang"
- "Bring It On Home To Me"
- "Shake"
- "(I Love You) For Sentimental Reasons"
- "You're Nobody till Somebody Loves You" (James Cavanaugh, Russ Morgan, Larry Stock)
Expanded Edition
On May 12, 2012, Universal Music Group released At the Copa: Expanded Edition, a two-disc limited edition re-release. Disc one contains the digitally remastered original stereo album – an album that, owing to then-insurmountable technical problems, used lead vocals overdubbed by Diana Ross in the studio. Also on disc one are 10 specially selected, previously unreleased original mono reference mixes, with Ross’s original live vocals. Disc two features the full Copa show, as the audience would have experienced it in 1965, in a brand-new mix that compiles the best performances from six recorded shows. Technology allowed the producers to overcome issues that vexed their 1960s counterparts, resulting not only in the use of the original lead vocals but the inclusion of songs cut from the original release: the opening number “From This Moment On,” their hits “Where Did Our Love Go” and “Nothing But Heartaches,” and classic show tunes including “Tonight/The Way You Look Tonight,” and “Enjoy Yourself (It’s Later than You Think).”
Personnel
- Diana Ross - lead vocals
- Florence Ballard - background vocals
- Mary Wilson - background vocals and co-lead vocals in “Enjoy Yourself (It’s Later Than You Think).”
- Berry Gordy and Lawrence Horn - producers
- Gil Askey - bandleader, arranger, conductor
Chart history
Weekly charts
| Year-end charts
|
Notes
- ^ Allmusic review
- ^ Jones, Peter; Jopling, Norman (9 April 1966). "The Supremes: At The Copa" (PDF). Record Mirror. No. 265. p. 8. Archived from the original (PDF) on 1 April 2022. Retrieved 22 August 2022.
- ^ Wilson, Mary and Romanowski, Patricia. Dreamgirl & Supremes Faith.
- ^ "At the Copa: The Supremes Take New York City by Storm on New Expanded Edition - the Second Disc". 26 April 2012.
- ^ "The Supremes Chart History (Billboard 200)". Billboard. Retrieved 1 January 2020.
- ^ "The Supremes Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved 1 January 2020.
- ^ "TOP R&B ALBUMS" (PDF). Billboard. December 24, 1966. p. 35. Retrieved 14 January 2022.
- ^ "The CASH BOX Year-End Charts: 1966 (TOP 100 POP ALBUMS)". Cashbox. Retrieved 5 January 2021.
References
- Wilson, Mary and Romanowski, Patricia (1986, 1990, 2000). Dreamgirl & Supreme Faith: My Life as a Supreme. New York: Cooper Square Publishers. ISBN 0-8154-1000-X.
- v
- t
- e
- Florence Ballard
- Cindy Birdsong
- Susaye Greene
- Lynda Laurence
- Barbara Martin
- Betty McGlown
- Scherrie Payne
- Diana Ross
- Jean Terrell
- Mary Wilson
- Meet The Supremes (1962)
- Where Did Our Love Go (1964)
- More Hits by The Supremes (1965)
- I Hear a Symphony (1966)
- The Supremes A' Go-Go (1966)
- The Supremes Sing Holland–Dozier–Holland (1967)
- Reflections (1968)
- Love Child (1968)
- Let the Sunshine In (1969)
- Cream of the Crop (1969)
- Right On (1970)
- New Ways but Love Stays (1970)
- Touch (1971)
- Floy Joy (1972)
- The Supremes Produced and Arranged by Jimmy Webb (1972)
- The Supremes (1975)
- High Energy (1976)
- Mary, Scherrie & Susaye (1976)
- Diana Ross & the Supremes Join the Temptations (1968)
- Together (1969)
- The Magnificent 7 (1970)
- The Return of the Magnificent Seven (1971)
- Dynamite (1971)
- The Supremes at the Copa (1965)
- Live at London's Talk of the Town (1968)
- TCB (1968)
- On Broadway (1969)
- Farewell (1970)
- The Supremes Live! In Japan (1973)
- A Bit of Liverpool (1964)
- The Supremes Sing Country, Western and Pop (1965)
- We Remember Sam Cooke (1965)
- Merry Christmas (1965)
- The Supremes Sing Rodgers & Hart (1967)
- Diana Ross & the Supremes Sing and Perform "Funny Girl" (1968)
- "Tears of Sorrow" (as The Primettes)
- "I Want a Guy"
- "Buttered Popcorn"
- "Your Heart Belongs to Me"
- "Let Me Go the Right Way"
- "My Heart Can't Take It No More"
- "A Breathtaking Guy"
- "When the Lovelight Starts Shining Through His Eyes"
- "Run, Run, Run"
- "Where Did Our Love Go"
- "Baby Love"
- "Come See About Me"
- "Stop! In the Name of Love"
- "Back in My Arms Again"/"Whisper You Love Me Boy"
- "Nothing but Heartaches"
- "I Hear a Symphony"
- "My World Is Empty Without You"
- "Love Is Like an Itching in My Heart"
- "You Can't Hurry Love"
- "You Keep Me Hangin' On"
- "Love Is Here and Now You're Gone"
- "The Happening"
- "Reflections"
- "In and Out of Love"
- "Forever Came Today"
- "Some Things You Never Get Used To"
- "Love Child"
- "I'm Gonna Make You Love Me"
- "I'm Livin' in Shame"
- "I'll Try Something New"
- "The Composer"
- "No Matter What Sign You Are"
- "The Weight"
- "I Second That Emotion"
- "Someday We'll Be Together"
- "Why (Must We Fall in Love)"
- "Up the Ladder to the Roof"
- "Everybody's Got the Right to Love"
- "Stoned Love"
- "River Deep – Mountain High"
- "Nathan Jones"
- "You Gotta Have Love in Your Heart"
- "Touch"
- "Floy Joy"
- "Automatically Sunshine"
- "Without the One You Love"
- "Your Wonderful, Sweet Sweet Love"
- "I Guess I'll Miss the Man"
- "Reach Out and Touch (Somebody's Hand)"
- "Bad Weather"
- "Tossin' and Turnin'"
- "He's My Man"
- "Where Do I Go from Here"
- "Early Morning Love"
- "I'm Gonna Let My Heart Do the Walking"
- "High Energy"
- "You're My Driving Wheel"
- "Let Yourself Go"
- "Love, I Never Knew You Could Feel So Good"
- T.A.M.I. Show
- Greatest Hits: Live in Amsterdam
- Reflections: The Definitive Performances (1964–1969)
- Motown 25: Yesterday, Today, Forever
- Sparkle (1976 film)
- Dreamgirls (musical)
- Dreamgirls (film)
- Sparkle (2012 film)
- Discography
- Chronology (The band's name history: The Primettes 1959–1961 / The Supremes 1961–1967 / Diana Ross & The Supremes 1967–1970 / The Supremes 1970 / Diana Ross & The Supremes 1970 / The Supremes 1970–)
- Members
- FLOS
- Farewell concert
- Return to Love Tour
- Category