Toward the Margins
1997 studio album by the Evan Parker Electro-Acoustic Ensemble
| Toward the Margins | ||||
|---|---|---|---|---|
 | ||||
| Studio album by the Evan Parker Electro-Acoustic Ensemble | ||||
| Released | 1997 | |||
| Recorded | May 1996 | |||
| Studio | Gateway Studios London, England | |||
| Genre | Jazz | |||
| Length | 60:40 | |||
| Label | ECM New Series ECM 1612 | |||
| Producer | Steve Lake | |||
| Evan Parker chronology | ||||
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Toward the Margins is an album by the Evan Parker Electro-Acoustic Ensemble, recorded in 1996 and released on the ECM New Series the following year.[1]
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
The AllMusic review by Steve Loewy stated: "Founded in 1992, Evan Parker's Electro-Acoustic Ensemble is a highly sophisticated grouping, which for this recording conceptually pairs three acoustic musicians with electronic tone manipulators... It is all fascinating stuff, and if it does not swing or fit into any easy definitions of 'jazz,' it takes the concept of improvisation to a new level. There is sometimes an aimlessness to it all that can be off-putting, but concentrated listening can produce wonderful rewards for the patient consumer."[2]
The authors of the Penguin Guide to Jazz Recordings awarded the album 4 stars, and wrote: "This was an exciting step in Parker's progress, magnificently recorded and mastered, and compelling from start to finish."[3]
A reviewer for Gramophone commented: "there's a paradox inherent in the high levels of control traditionally associated with electro-acoustic music being imposed upon a genre having an aesthetic tradition which tends to emphasize moment-by-moment interaction and instant composition, but the music which results is proud of its mixed parentage... this disc represents an interesting area of progress for the European avant-garde."[4]
Peter Margasak, writing for the Chicago Reader, stated: "On... Toward the Margins... Parker, Guy, Lytton, and violinist Phil Wachsmann improvise cumulous swirls of sound that get processed by electronicists... Walter Prati and Marco Vecchi and then folded back into the din–yet the saxist's grainy, concentrated melodic tendrils and patiently etched arcs are immediately recognizable."[5]
Track listing
- All compositions by Evan Parker except as indicated
- "Toward the Margins" (Barry Guy, Evan Parker, Philipp Wachsmann) – 4:34
- "Turbulent Mirror" – 5:54
- "Field and Figure" (Guy, Parker) – 7:06
- "The Regenerative Landscape (For AMM)" – 3:36
- "Chain of Chance" (Marco Vecchi, Paul Lytton, Walter Prati) – 4:19
- "Trahütten" (Parker, Wachsmann) – 6:20
- "Shadow Without an Object: Engagement/Reversal/Displacement" (Guy, Parker, Vecchi, Lytton, Wachsmann, Prati) – 6:02
- "Epanados" (Guy, Parker, Vecchi, Lytton, Wachsmann, Prati) – 4:29
- "Born Cross-Eyed (Remembering Fuller)" (Lytton) – 2:52
- "Philipp's Pavilion" (Parker, Wachsmann) – 7:33
- "The Hundred Books (For Idries Shah)" – 4:09
- "Contra-Dance" (Guy, Parker) – 3:38
Personnel
Evan Parker Electro-Acoustic Ensemble
- Evan Parker – soprano saxophone
- Barry Guy – double bass
- Paul Lytton – percussion, live-electronics
- Philipp Wachsmann – violin, viola, live electronics, sound processing
- Walter Prati – live electronics, sound processing
- Marco Vecchi – live electronics, sound processing
References
- ^ ECM discography Archived 2013-02-06 at the Wayback Machine accessed October 20, 2011
- ^ a b Loewy, S. Review accessed October 20, 2011
- ^ a b Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1123. ISBN 978-0-141-03401-0.
- ^ rthomas. "Toward the Margins Evan Parker Electro-Acoustic Ensemble". Gramophone. Retrieved 29 May 2022.
- ^ Margasak, Peter (6 April 2000). "Evan Parker & Ned Rothenberg". Chicago Reader. Retrieved 29 May 2022.
- v
- t
- e
Years given are for the recording(s), not first release, unless stated otherwise.
- Fizzles (1991)
- Symmetries (2001)
- Five Fizzles for Samuel Beckett (2009)
- Irvin's Comet (2019)
- Angle (1968 & 1969)
- The Day Will Come (1970)
- Ichnos (1969 & 1970)
- February Papers (1977)
- Unreleased 1974–2016 ( 1974, 1981, & 2016)
- Iskra 1903 (1970 & 1972)
- Sequences 72 & 73 (1972, 1973, & 1974)
- Ode (1972)
- Zurich Concerts (1987 & 1988)
- Harmos (1989)
- Double Trouble (1989)
- Theoria (1991)
- Double Trouble Two (1995)
- Radio Rondo/Schaffhausen Concert (2008)
- Inscape–Tableaux (2000)
- Oort–Entropy (2004)
- Atlanta (1986)
- 50th Birthday Concert (1994)
- Bush Fire (1995)
- The Redwood Session (1995)
- Natives and Aliens (1996)
- Toward the Margins (1996)
- At the Vortex (1996)
- Drawn Inward (1998)
- After Appleby (1999)
- Memory/Vision (2002)
- Birds and Blades (2002)
- Boustrophedon (2004)
- The Moment's Energy (2007)
- Live at Maya Recordings Festival (2011)
- Music for David Mossman (2016)
- You Forget to Answer (1994 & 1995)
- Gryffgryffgryffs (1996)
- Cascades (1993)
- Odyssey (1990)
- Ithaca (2003)
- Phases of the Night (2007)
- Deep Memory (2015)
- Nailed (1990)
- Melancholy (1990)
- Vade Mecum (1993)
- Vade Mecum II (1993)
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