Triumph of the Virtues (Mantegna)
Triumph of the Virtues | |
---|---|
Artist | Andrea Mantegna |
Year | 1502 |
Medium | Tempera on canvas |
Dimensions | 160 cm × 192 cm (63 in × 76 in) |
Location | Musée du Louvre, Paris |
The Triumph of the Virtues (also known as Minerva Expelling the Vices from the Garden of Virtue) is a painting by the Italian Renaissance painter Andrea Mantegna, completed in 1502. It is housed in the Musée du Louvre of Paris.
The triumph was the second picture painted by Mantegna for Isabella d'Este's studiolo (cabinet), after the Parnassus of 1497. It portrays a marsh enclosed by a tall fence, ruled over by the Vices, portrayed as hideous figures and identified by scrolls in a typically medieval way. Idleness is chased by Minerva, who is also rescuing Diana, goddess of chastity, from being raped by a Centaur, symbol of concupiscence. Next to Minerva is a tree with human features. High in the sky are the three primary moral virtues required to perfect the appetitive powers: Justice, Temperance and Fortitude.
See also
References
- Page at artonline.it Archived 2007-09-28 at the Wayback Machine (in Italian)
External links
- Louvre: Isabella d’Este’s Studiolo
- v
- t
- e
- St Mark (1448)
- Ovetari Chapel (1448–1457)
- Adoration of the Shepherds (c. 1450–1451)
- St. Jerome in the Wilderness (c. 1451)
- San Luca Altarpiece (1453)
- St. James Led to His Execution (c.Time between 1453 and 1455)
- Presentation at the Temple (c. 1455)
- Agony in the Garden (c. 1458)
- Crucifixion (1459)
- Agony in the Garden (c. 1459)
- Portrait of Cardinal Ludovico Trevisan (c. 1459–1460)
- St. Bernardino of Siena between Two Angels (1460)
- Death of the Virgin and Christ Bearing the Soul of the Virgin (c. 1461)
- Portrait of a Man (c. 1460)
- Portrait of Francesco Gonzaga (c. 1461)
- Madonna with Sleeping Child (c. 1470)
- St. George (c. 1460)
- San Zeno Altarpiece (1460)
- St. Sebastian (of Vienna) (c. 1459)
- Uffizi Triptych (Ascension; Circumcision; Adoration of the Magi) (1462)
- The Ascension (1462)
- The Circumcision (1464)
- Portrait of Carlo de' Medici (c. 1459–1466)
- St. Sebastian (of the Louvre) (c. 1480)
- Madonna of the Cherubim (c. 1485)
- Triumphs of Caesar (c. 1486)
- Christ as the Suffering Redeemer (c. 1488–1500)
- Lamentation over the Dead Christ (c. 1490)
- Madonna of the Caves (1490)
- St. Sebastian (of Venice) (1490)
- Madonna and Child with Three Saints (1490–1500)
- Resurrection (1492–1493)
- Descent into Limbo (1492–1493)
- Christ the Redeemer (1493)
- Judith with the Head of Holofernes (Dublin, c. 1495)
- Judith with the Head of Holofernes (Washington, 1495)
- Exemplary Women of Antiquity (1495–1500)
- Sibyl and Prophet (1495–1500)
- Madonna della Vittoria (1496)
- Trivulzio Madonna (1497)
- Parnassus (Mars and Venus) (1497)
- Ecce Homo (c. 1500)
- Holy Family (c. 1500)
- Triumph of the Virtues (c. 1502)
- The Introduction of the Cult of Cybele at Rome (c. 1505–1506)
- Baptism of Christ (1506)
- Camera degli Sposi (1465–1474)
This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e