Cantata by Johann Sebastian Bach
Der Friede sei mit dir (Peace be with you), BWV 158, is one of the shortest of the cantatas by Johann Sebastian Bach and features a bass soloist. It survives as a cantata for the third day of Easter but might be a fragment of a work originally written for Purification. Given this background, and the fact that it was copied by Christian Friedrich Penzel, one of Bach's last students, there is a confusing variety of proposed composition dates. It may date back to Bach's Weimar period,[1] although a date as late as 1735 has been suggested.[2]
History and text
The surviving source is a copy by Penzel, identified on the title page as being for the Purification (the Lutheran feast Mariae Reinigung), which was celebrated on 2 February, but with an alternate designation for Easter Tuesday in the parts.
Bach composed several cantatas for the Purification and the texts are related to Simeon's canticle Nunc dimittis, part of the prescribed readings.[3] Because of the references to the "Nunc dimittis" in Der Friede sei mit dir and because of the alternate title page designation, it is widely assumed that at least the two central movements were originally part of a longer cantata for the Purification, with a different introductory recitative not evoking Christ's Easter reappearance to the disciples. The obbligato writing in the aria, which appears better suited to flute than the "violino" specified in Penzel's copy, is cited in support of the hypothesis that it was originally written for a different occasion.[4]
Joshua Rifkin has proposed the dates 15 April 1727 or 30 March 1728 for the premiere of the surviving Easter version.[5] The prescribed readings for this day were from the Acts of the Apostles, the sermon of Paul in Antiochia (Acts 13:26–33), and from the Gospel of Luke, the appearance of Jesus to the Apostles in Jerusalem (Luke 24:36–47).[1] The librettist is unknown but may have been Salomon Franck, quoting hymn stanzas by Johann Georg Albinus and Martin Luther.[6]
Scoring and structure
The cantata is scored for soprano and bass vocal soloists, four-part choir, oboe, violin, and basso continuo.[7]
Because no complete copy of the work survives, it is possible that there were originally more than the four movements now known. In particular, another aria is thought to have preceded the final movement.[8]
- Recitative (bass): Der Friede sei mit dir (21 measures)[9]
- Aria (bass) and chorale (soprano): Welt, ade, ich bin dein müde (94 measures with chorale tune by Johann Rosenmüller)[10]
- Recitative and arioso (bass): Nun, Herr, regiere meinen Sinn (18 measures)[11]
- Chorale: Hier ist das rechte Osterlamm (16 measures)[12]
Music
Both recitatives are "supple" and secco. The second movement is "a fusion of a dulcet aria in the form of a trio sonata" for bass, violin, and continuo, with interspersed lines from the chorale performed by soprano and oboe.[13] It is formally a da capo aria introduced by an eighteen-measure ritornello. The work ends with a four-part harmonization of the chorale.[14]
Recordings
- Chor der St. Hedwigs-Kathedrale Berlin / Berliner Philharmoniker, Karl Forster. Bach: Cantatas, Arias & Chorales. EMI Classics, 1958.
- Monteverdi-Chor, Leonhardt-Consort, Jürgen Jürgens. J.S. Bach: Kantaten · Cantatas Nr. 27, Nr. 118, Nr. 158, Nr. 59. Telefunken, 1966.
- Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Helmuth Rilling. J.S. Bach: Solokantaten. Cantate, 1969.
- Amsterdam Baroque Orchestra & Choir, Ton Koopman. J.S. Bach: Complete Cantatas Vol. 21. Josef Loibl, 1984.
- Thomanerchor / La Stagione, Michael Schneider. Bach: Kantaten · Cantatas BWV 82, BWV 158, BWV 56. Capriccio, 2006.
- Bach Cantatas for Bass BWV 82/158/56/203 Ryo Terakado, il Gardellino, Dominik Wörner. Passacaille 2013.
References
- ^ a b Lutheran Church Year / Dates of "Osterdienstag" (Easter Tuesday, 3rd Day of Easter)
- ^ David Schulenberg, "Der Friede sei mit dir" in Oxford Composer Companion: J. S. Bach ed. Malcolm Boyd
- ^ Erfreute Zeit im neuen Bunde, BWV 83, 1724; Mit Fried und Freud ich fahr dahin, BWV 125, 1725 (on Luther's hymn after Nunc dimittis); Ich habe genug, BWV 82, 1727
- ^ David Schulenberg, op. cit.
- ^ Linernotes to L'oiseau-lyre 425 822-2, cited in David Schulenberg, "Der Friede sei mit dir" in Oxford Composer Companion: J. S. Bach ed. Malcolm Boyd (p. 134)
- ^ "BWV 159". bach-cantatas. Retrieved 3 June 2013.
- ^ "BWV 158". University of Alberta. Retrieved 3 June 2013.
- ^ Gerhard Schuhmacher. "Liner notes to Bach Cantatas, Vol. 38" (PDF). bach-cantatas. pp. 15–16. Retrieved 3 June 2013.
- ^ "Der Friede sei mit dir". Vocal Music Instrumentation Index. Archived from the original on 2021-04-12. Retrieved 11 April 2021.
- ^ "Welt, ade, ich bin dein müde". Vocal Music Instrumentation Index. Archived from the original on 2021-04-12. Retrieved 11 April 2021.
- ^ "Nun, Herr, regiere meinen Sinn". Vocal Music Instrumentation Index. Archived from the original on 2021-04-12. Retrieved 11 April 2021.
- ^ "Hier ist das rechte Osterlamm". Vocal Music Instrumentation Index. Archived from the original on 2021-04-12. Retrieved 11 April 2021.
- ^ "Cantata No. 158". Allmusic. Retrieved 3 June 2013.
- ^ Mincham, Julian. "Chapter 70 BWV 158". jsbachcantatas. Retrieved 4 September 2022.
External links
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| Cantatas | - Bleib bei uns, denn es will Abend werden, BWV 6
- Christ lag in Todes Banden, BWV 4
- Der Friede sei mit dir, BWV 158
- Der Himmel lacht! Die Erde jubilieret, BWV 31
- Ein Herz, das seinen Jesum lebend weiß, BWV 134
- Erfreut euch, ihr Herzen, BWV 66
- Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145
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