The Inheritance of Loss
0-241-14348-9 (hardback)
The Inheritance of Loss is the second novel by Indian author Kiran Desai. It was first published in 2006. It won a number of awards, including the Booker Prize for that year, the National Book Critics Circle Fiction Award in 2007,[1] and the 2006 Vodafone Crossword Book Award.
It was written over a period of seven years after her first book, the critically acclaimed Hullabaloo in the Guava Orchard.[2][3] Among its main themes are migration, living between two worlds, and between past and present.
The story centres around the lives of Biju and Sai. Biju is an Indian living in the United States illegally, son of a cook who works for Sai's grandfather. Sai is an orphan living in mountainous Kalimpong with her maternal grandfather Jemubhai Patel, the cook, and a dog named Mutt. Her mother was a Gujarati and her father a Zoroastrian orphan himself.Author Desai alternates the narration between these two points of view. The action of the novel takes place in 1986.
Biju, the other character, is an illegal alien residing in the United States, trying to make a new life for himself, and contrasts this with the experiences of Sai, an anglicised Indian girl living with her grandfather in India. The novel shows both internal conflicts within India and tensions between the past and present. Desai writes of rejection and yet awe of the English way of life, opportunities to gain money in America, and the squalor of living in India. Through critical portrayal of Sai's grandfather, the retired judge, Desai comments upon leading Indians who were considered too anglicised and forgetful of traditional ways of Indian life.
The retired judge Jemubhai Patel is a man disgusted by Indian ways and customs—so much so, that he eats chapatis (a moist South Asian flatbread) with knife and fork. Patel disdains other Indians, including the father with whom he breaks ties and the wife whom he abandons at his father's home after torturing her. Yet Patel never is fully accepted by the British, despite his education and adopted mannerisms.
The major theme running throughout The Inheritance of Loss is one closely related to colonialism and the effects of post-colonialism: the loss of identity and the way it travels through generations as a sense of loss. Some characters snub those who embody the Indian way of life, others are angered by anglicised Indians who have lost their traditions; none is content.
The Gorkhaland movement is used as the historic backdrop of the novel.
Reception
In the March/April 2006 issue of Bookmarks, a magazine that aggregates critic reviews of books, the book received a (4.0 out of 5) based on critic reviews, with the critical summary stating, "Maybe it's in her genes: the daughter of Indian novelist Anita Desai, Kiran Desai skips past the sophomore doldrums with this assured second novel."[4]
Natasha Walter found it a "grim" novel, highlighting "how individuals are always failing to communicate".[5] The Observer found some excellent comic set-pieces amid the grimness.[6] Pankaj Mishra writing in The New York Times claimed Desai "manages to explore, with intimacy and insight, just about every contemporary international issue: globalization, multiculturalism, economic inequality, fundamentalism and terrorist violence."[7]
In 2020, Emma Lee-Potter of The Independent listed it as one of the 12 best Indian novels.[8]
References
- ^ "All Past National Book Critics Circle Award Winners and Finalists – Page 2" (Press release). Bookcritics.org. Archived from the original on 25 February 2009. Retrieved 6 July 2011.
- ^ "The Inheritance of Loss: Kiran Desai" (Press release). Booker Prize Foundation. Retrieved 6 July 2011.
- ^ "Kiran Desai interview". Jabberwock (blog). 20 January 2006. Retrieved 14 June 2011.
- ^ "The Inheritance of Loss By Kiran Desai". Bookmarks Magazine. March–April 2006. Archived from the original on 9 September 2015. Retrieved 14 January 2023.
- ^ Walter, Natasha (26 August 2006). "Mutt and the maths tutor". The Guardian.
- ^ Hughes, Sarah (3 September 2006). "Uncle Potty and other guides to the truth". The Observer.
- ^ Mishra, Pankaj (12 February 2006). "Wounded by the West". The New York Times.
- ^ Lee-Potter, Emma (5 August 2020). "12 best Indian novels that everyone needs to read". The Independent. Archived from the original on 18 June 2022. Retrieved 23 December 2020.
External links
- Podcast of Kiran Desai talking about The Inheritance of Loss on the BBC's World Book Club
- Review by BBC News
- Review by Boston.com
- Review by NY Times, includes MP3 of author reading from the book
- Roy, Pinaki. "The Inheritance of Loss: A Brief Rereading". World English Literature: Bridging Oneness. Eds. Nawale, Arvind, and Pinaki Roy. New Delhi: Authors Press, 2013. pp. 13–29. ISBN 978-81-7273-705-4.
Awards | ||
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Preceded by The March by E. L. Doctorow | National Book Critics Circle Award 2006 | Succeeded by |
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- t
- e
- 1969: P. H. Newby (Something to Answer For)
- 1970: Bernice Rubens (The Elected Member)
- 1970 Lost Prize: J. G. Farrell (Troubles)
- 1971: V. S. Naipaul (In a Free State)
- 1972: John Berger (G.)
- 1973: J. G. Farrell (The Siege of Krishnapur)
- 1974: Nadine Gordimer (The Conservationist) and Stanley Middleton (Holiday)
- 1975: Ruth Prawer Jhabvala (Heat and Dust)
- 1976: David Storey (Saville)
- 1977: Paul Scott (Staying On)
- 1978: Iris Murdoch (The Sea, The Sea)
- 1979: Penelope Fitzgerald (Offshore)
- 1980: William Golding (Rites of Passage)
- 1981: Salman Rushdie (Midnight's Children)
- 1982: Thomas Keneally (Schindler's Ark)
- 1983: J. M. Coetzee (Life & Times of Michael K)
- 1984: Anita Brookner (Hotel du Lac)
- 1985: Keri Hulme (The Bone People)
- 1986: Kingsley Amis (The Old Devils)
- 1987: Penelope Lively (Moon Tiger)
- 1988: Peter Carey (Oscar and Lucinda)
- 1989: Kazuo Ishiguro (The Remains of the Day)
- 1990: A. S. Byatt (Possession)
- 1991: Ben Okri (The Famished Road)
- 1992: Michael Ondaatje (The English Patient) and Barry Unsworth (Sacred Hunger)
- 1993: Roddy Doyle (Paddy Clarke Ha Ha Ha)
- 1994: James Kelman (How Late It Was, How Late)
- 1995: Pat Barker (The Ghost Road)
- 1996: Graham Swift (Last Orders)
- 1997: Arundhati Roy (The God of Small Things)
- 1998: Ian McEwan (Amsterdam)
- 1999: J. M. Coetzee (Disgrace)
- 2000: Margaret Atwood (The Blind Assassin)
- 2001: Peter Carey (True History of the Kelly Gang)
- 2002: Yann Martel (Life of Pi)
- 2003: DBC Pierre (Vernon God Little)
- 2004: Alan Hollinghurst (The Line of Beauty)
- 2005: John Banville (The Sea)
- 2006: Kiran Desai (The Inheritance of Loss)
- 2007: Anne Enright (The Gathering)
- 2008: Aravind Adiga (The White Tiger)
- 2009: Hilary Mantel (Wolf Hall)
- 2010: Howard Jacobson (The Finkler Question)
- 2011: Julian Barnes (The Sense of an Ending)
- 2012: Hilary Mantel (Bring Up the Bodies)
- 2013: Eleanor Catton (The Luminaries)
- 2014: Richard Flanagan (The Narrow Road to the Deep North)
- 2015: Marlon James (A Brief History of Seven Killings)
- 2016: Paul Beatty (The Sellout)
- 2017: George Saunders (Lincoln in the Bardo)
- 2018: Anna Burns (Milkman)
- 2019: Margaret Atwood (The Testaments) and Bernardine Evaristo (Girl, Woman, Other)
- 2020: Douglas Stuart (Shuggie Bain)
- 2021: Damon Galgut (The Promise)
- 2022: Shehan Karunatilaka (The Seven Moons of Maali Almeida)
- 2023: Paul Lynch (Prophet Song)